Before the Fall Act IA Stage Play by Duncan BrownA door is never open It's always ajar A song is never sung (except by fools who insist on interrupting the sacred business of drinking) It is only heard In the distance. A glass is never empty It's just lonely. Friends are never a friend; They're only the next act Of treachery and tragedy (Doesn't that sound poetic) Poverty is the person Who stole your prosperity. Prosperity was a similar But infinitely less honest Kind of thief Charity is the one true thief I'll drink to that (Truth be told, I'll drink to anything) Oh dear God stop me From ever becoming religious You owe me at least that much IOU a Jack, a Jim an' a Johnnie (That’s Daniel’s, Bean an' Walker to the unbelievers among your flock of sad unsinners) Being unholy is kind of cool Holiness is in the concept Religion’s got nothing To be holy about It’s an empty glass. Drinking's got spirit Dear God of mine Make mine a double I'll believe in you twice. (Thank you Janis. Why don’t we jack that Mercedes Benz you
keep singing about? You can drive an' I'll be your loveable but inadequate
companion, just like Gabby Hayes. I can’t do Tonto. The Noble Savage is beyond
my range an’ anyway, you won’t wear a mask. The world is full of lonely
rangers, but how many wear a mask? Maybe we could go to Mexico an’ I'll apply
for the Cisco Kid's job. He wears great hats. I'd look cool in a hat like that.
Is he any relation of Billy...?) Loneliness in a glass An’ a rural hype. Drinking's only a curse Morality is a disease Curses are like glasses You can lift them Ever tried to lift a disease? Aphorisms; don’t we just love 'em Especially when we hide behind 'em. (Is The Lonely Ranger An aphorism in the making?) They're a sign of conversational fear. An’ fear is just a sign of itself When it's got nothing else To be fearful about I think I'll have another drink Before I start talking about Fitzgerald And Malcolm the Vulcanologist. Good word, vulcanologist Impressive in the right company Must remember to use it again On the next innocent abroad. Nobody loves you when you're just a poor drunk. A few people
love you if you’re a clever drunk. But everybody loves you if you're a rich
drunk. You've got a friend in every pocket, and that's what friends are for.
Your relatives live in your wallet ‘an we're not talking photographs here. You
can only trust your enemies. They at least will be true to themselves and as
treacherous as only an enemy can be. Truth be told, there's truth in wine, but
a sadder truth is: we all tell lies. The wine just makes them more delicious.
We can all drink to that. The rich are never drunk, just unsober. Only the poor
can be driven mad by drink. (It's the only experience of being chauffeur driven
they'll ever have.) The rich are merely inebriate and eccentric. Class and
euphemism are always so reliable. It’s a very rich language we have here; in
every sense. Especially when we talk in clichés Even with perfect strangers (Why are strangers perfect? Are they some kind of deity?) Clichés are a wonderful thing When you have four fingers Of blessed rye in your hand. ‘Only the good die young.’ That’s a great ole cliché. ‘Been down this road so long It looks like upper street again’ That’s an even better one, I think Bob Zimmerman’s brother in law Didn’t get round to being related According to the romantic plan “That’s not a cliché, that’s an urban myth”, said the stranger When Dante met Janis it was Downhill all the way for them Thank you John Milton Where would hell be without you? In ever decreasing circles You might say, an’ then again You might not bother to say anything. Intellectuals are sometimes lonely. Perhaps you don’t speak to strangers Even perfect ones in dark glasses Who are unafraid to look in mirrors. Let me buy you a drink in a darker glass Did I tell you, me an’ Janis are Heading down Mexico’s dusty way? Elvis and Marilyn are living there They were secretly married even To each other's each other self. They were all set to become The King and Queen of America But the constitution wouldn’t allow it. Norman the Mailman’s going to write (That’ll be the day dream all believers Try to avoid believing in too much) A bestselling an’ hard hitting novelty item About it all, with the built-in revelation That their kids were kidnapped By all those dead Kennedys and …… Is the floor getting closer or am I collapsing? An’ what did you say Your name was, Mephistopheles? That’s a cute name. But why are you Smiling at me in such a strange fashion? Make mine a double; what’s your poison?” © 2016 Duncan Brown |
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Added on September 18, 2016 Last Updated on September 18, 2016 Author
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