Engal (Stage 1: Conception)A Screenplay by Daniel RodriguezAn homage to the tokusatsu Superhero Genre. A city adrift in space. A Detective. A missing person's case. An unseen threat. The rise of an Angelic savior.EXT. CITY SCAPE - RAINING We see the rain hit the city hard. Insert Opening Credits Another shot, looking strait up at the rain bearing down on
us. Pan across the city city, the borrows and so forth. City
life is dead and those that are out are hiding or getting ready to hide. JAROD (V.O.) In the real world...there is no hope. A poor person can be seen huddled, without warmths and
perhaps without care. JAROD (CONT’D) Abandoned, we were forced to build as we aimlessly drift
through uncharted space. Earth is a distant memory, and the current calendar
year has been lost since we awoke from our sleep. Zoom out to reveal a dome on a space colony. JAROD (CONT’D) We have built a new home. For all we know, we may be the
last of our species. This is the real world we have learned from our parents,
and this will be the cruel mistress that will rear our children. EXT. CITY - RAINING The rain falls on us as we look to the blackened sky. FLASH TO TWO HANDS HOLDING Title card: “Stage: CONCEPTION” We then pull out to reveal two dead bodies holding hands.
This is the scene of a murder. Two cops walk through the line mid conversation. COP 1 I told her to get bent. COP 2 You shouldn't talk to you sister like that. COP 1 It’s not like we are family. They see the two bodies, the jokes end. Silence. They walk over the corpses. They then look at each other. They are debating who will
break the silence. Cop 1 puts his hands over the lovers hands. COP 2 Thinking of... COP 1 Yeah. I am. COP 2 Masterson isn’t going to like this. Time fasts forward. Reporters have created a physical
barrier of the scene. COP 1 I think that’s him there. MASTERSON (O.S.) Excuse me. REPORTER 1 Who the hell do you think you are? The crowd parts, Detective Masterson appears. MASTERSON Detective Masterson. You are barring my way to the crime
scene. At once they swarm him. REPORTER 1 Does this case have anything to do with the disapearances? MASTERSON No comment. REPORTER 2 What brings you here? REPORTER 3 Are we any closer to finding the perpatrators to these
crimes? He walkes through the line. MASTERSON Report. COP 1 Two dead bodies. COP 2 Person missing. Masterson closes his eyes. MASTERSON Kidnapping? COP 2 Looks like it. He looks over the two dead bodies. MASTERSON Any ID? COP 2 None. COP 1 There were three sets of foot prints which suggests a third
person. COP 2 Family? Masterson rubs his hands across the arms to the two hands
touching. MASTERSON Lovers. The missing person, a child. Feet are too small and
grouped together. Outside, the crime scene... Jarod is listening in, zoom into
a device under his reporters hat. EARPEICE “Lovers. The missing person, a child...” Close up to Jarod’s note paper, on it the words, “13th
victim.” A WOMAN knocks over his notes. JAROD Excuse me! WOMAN You have to let me through! JAROD Huh? WOMAN My babies! Jarod’s eyes are wide. Her eye sheds a tear. He bows his head and guides her through. COP 1 Who let her through? WOMAN That’s my boy! A closeup of the dead body. INT. INTEROGATION ROOM - LATER Masterson is sitting next infront of Woman. JAROD (V.O.) Johnny, her child was on a date with a certain lover. His
mother made him bring his little sister along. She has since disapeared. The
two lovers were killed, holding hands as if to protect one another. Teresa, the
daughter, she is the 13th confirmed kidnapping victim in the past month. WOMAN Tell me...is it true? MASTERSON Yes. Your daughter was kidnapped, just like the others. WOMAN Oh God. MASTERSON It will be okay. She grabs his hand. MASTERSON (CONT’D) Um? WOMAN Find her... I can’t lose her too. He shelters her hand. MASTERSON My word. INT. THE CITY The camera moves through the city. We hear a montage of
voices and events. RADIO HOST (O.C.) We have just received word of a new kidnapping. RADIO HOST 2 (O.C.) Police are on a city wide search, but they still have no
leads. RADIO HOST 3 (O.C.) I will tell you what this. IRRESPONSIBILITY! What is our
Mayor doing? He proposes stupid bills and plays politics while we are under
attack. Let’s get to the phones. CALLER (O.C.) Hey man, long time listener. And I have to say that I agree
completely. The officials in this city have done nothing to find that poor
child and I tell you, things will get worse and our boys upstairs will do
nothing but sit on their asses before anything gets done about all of this. We see a couple walk by, they have a child. A shadow looms
over them. The THING, not human, moves forward until a bright light flashes on
them, its a car coming. The thing scatters away. We, the camera, chase after it and see part of an EXOMORPH
run into a hole. INT. PRESS ROOM - LATER MAYOR I have called this press conference together to declare a
state of emergency. JAROD (V.O.) Two days later. Mayor calls state of emergency. People
question motives as they begin to feel unsafe. The colony is in a state of unrest. There are no leads in
the serial kidnapping. EXT. MASTERSON’S OFFICE - NIGHT A hand knocks on the door. The door opens by itself. Jarod walks into... EXT. CITY - THE PAST This is a memory. Jarod walks into a scene. A hostage situation. Jarod is
abstract from the action, he is guiding the viewer through this event. Masterson comes out of his car. He takes a cigarette and he
smokes it. He looks to the heavens wishing for some releif. MASTERSON It always rains. His phone rings. MASTERSON (CONT’D) Hello. Chica, I don’t have a moment. He looks up, a worried look in his face at the building. CRIMINAL I will blow her head clean off! MASTERSON I love you... VOICE I love you too. Masterson hangs up the phone and things. He looks at his
cigarette and inhales. MASTERSON God, if this ends well... He flicks the cigarette out. MASTERSON (CONT’D) I quit. JAROD It was a hostage situation. This was the first night I met
Dectective Masterson. NEGOTIATOR We are sending someone in... We flash to inside the building. CRIMINAL What are you doing? MASTERSON Please, just let her go. CRIMINAL No. MASTERSON Please. CRIMINAL You don’t understand. She has been...marked. By them! MASTERSON Them? CRIMINAL Don’t you try to entertain me! Do you want her to die? MASTERSON No. CRIMINAL Hell, she is going to die anyway. By me or... MASTERSON Them? Criminal points gun to Masterson. CRIMINAL You. You shut up. I can see you already judging me as a
crack pot conspiracey theorist. MASTERSON You were a scientist. Why? CRIMINAL ...I learned to much. And no, i am not speaking theories of
some stupid government takeover... MASTERSON Then what? CRIMINAL This city is a maze. We are the rats! MASTERSON Hand me the gun. CRIMINAL Why? She is going to die regardless! MASTERSON I... I never shot anyone before. CRIMINAL Shoot someone? MASTERSON Please... Masterson takes out his gun and c***s it. CRIMINAL You would kill me? MASTERSON For her to live, perhaps. CRIMINAL I had you pegged wrong. You would kill for her to live? But
she is destined to die. MASTERSON No one is destined to die. CRIMINAL That would be nice to beleive. But then again, I am dead
too. I know too much. MASTERSON Focus on me. CRIMINAL I...am trying. But... GIRL Please, dont hurt me. CRIMINAL You want to save her? GIRL Please. MASTERSON I do. CRIMINAL You can’t you are powerless. MASTERSON And what about you? You are holding her up...why? CRIMINAL It keeps them away. MASTERSON They again? CRIMINAL They wont attack me as long as the spotlight is on me. A figure moves in the background. MASTERSON I can protect you too. But please, just let the girl go. CRIMINAL Stay back! The shadow aproaches. Masterson is unable to see it. MASTERSON I promise.... Criminal loses the last of his mind the moment he sees the
beedy eyes. He takes out the gun, pulls it to her head. CRIMINAL This way is the least painless. Outside, there are two flashes of light. MASTERSON No. No! NO! Masterson leaps on the girl. Criminal falls down. He has a smile on his face. CRIMINAL (to the THING) I...see you... Criminal dies. MASTERSON This isn’t how it is supposed to end! Wake up! You’re
supposed to be the survivor! He turns around. A flash of darkness as the thing disapears.
Masterson doesnt know what he saw. He clenches her fallen body tight. MASTERSON (CONT’D) Come back to life. I asked for a happy ending. Masterson looks. The dead body of the criminal has a happy
face. MASTERSON (CONT’D) I...asked...I asked the heavens. Why was I denied? Police storm the room. POLICE MAN What happened? MASTERSON I failed. POLICE MAN The girl? MASTERSON I will notify the parents. It will be my penance. POLICE MAN Did you kill him? MASTERSON Yeah. I did. How could he. Why does he get to die happy? We now see Jarod, he looks inexperianced. Masterson is walking by in slow motion. JAROD Excuse me. Masterson looks at him. MASTERSON No comment. INT. MASTERSON’S OFFICE Masterson gets up. MASTERSON You! JAROD Long time no see. MASTERSON So, I thought you were up to sensational stories. Whats her
name went back into rehab again? Your professional opinion. Will she last? JAROD Actually I was assigned to the money situation with city
hall. I covered the heiress story because the city hall story only had one
agnle. And frankly I think enough people criticise without complimenting the
system. I mean personally, with any issue, if you are given an angle, and your
paid to look for soemthing, odds are you are going to find it. MASTERSON Um. JAROD For instance, if I was assigned to, I could make you look
like the biggest loser in the force. Or I could make you look like a hero, both
with clear facts and infallible logic. MASTERSON Jarod. JAROD So yes. I covered the heiress story because you can’t spin
“woman goes to rehab.” Personally, I would rather die than do another fluff
peice, but between covering my editors agenda, and all the celebrity gossip,
there is no legit news. MASTERSON Your blabbering. Do you have enough friends at work to talk
to? JAROD Sure. Why not? MASTERSON What brings you here? JAROD Kidnapping. MASTERSON What? JAROD I am assigned to a story that can’t be spun. Cold news, the
rawist of the raw. The serial kidnapper. MASTERSON Serial kidnapping? JAROD The double homicide? Ring a bell? MASTERSON So, you think its a serial? JAROD I have a tip. MASTERSON A tip? JAROD A location. MASTERSON What? JAROD Don’t you remember what it was like, to be a hero? MASTERSON Why are you babbling? You have leeds into this case. You
have to tell me. JAROD How about...I show you? INT. CAR MASTERSON Okay, whats the catch? JAROD A catch? MASTERSON Don’t play dumb. JAROD Well, if I just give my information away for free, I would
be left with nothing. Come now, I am not dumb. There is a reason I have an ego
for being one of the best reporters in this colony. MASTERSON What’s your price? JAROD Price? MASTERSON Yes. JAROD Interview. I demand a full scale interview. MASTERSON If...we find something. JAROD I have a feeling we are going to definitely find something. EXT. FACILITY - NIGHT They stand outside. JAROD So, what shall my first question be? MASTERSON Where are we? INT. FACILITY They are walking. JAROD The scientist who kidnapped that girl ways back. He worked
for Sci-Truth. MASTERSON He was spouting insanity. Naturally we checked with the
organization and came up with nothing. What does that have to do with this
building? JAROD Sci-Truth, they were an organization that had one rival. MASTERSON DevelopCo. JAROD That’s right. They once had a fued way back when over some
patents. This used to be one of their main buildings. A Shadow figures into the background. MASTERSON We aren’t alone. Master points a gun to Jarod. MASTERSON (CONT’D) Is this a trap? JAROD Holy.... MASTERSON What have you gotten me into!? JAROD The scienist...killed the girl, he was a spy against this
company! He found something that made him lose his mind! MASTERSON What did he find? JAROD Remember the “they”? Masterson is silent, he is now looking around with his eyes.
JAROD (CONT’D) First case that can be attributed to the serial case, five
blocks from here! Twelve from the other place. Masterson lowers his gun. JAROD (CONT’D) I heard rumors. I looked into them. This place still has a
power output system that is stronger than the central building of Sci-Truth. MASTERSON And? JAROD First case, close to here. Second, person who infiltrates
loses their mind and makes audacious claims that a group of individuals are
after him and the girl. Now, a girl disapears and there is an auspicious power
output in this area. Plus there are rumors... MASTERSON (to the open area) Who is here!? JAROD I told you...we would likely find something. MASTERSON “What” we would find seems to be more important. An elevator door opens. Jarod jumps. JAROD They want us to go down. MASTERSON Stay behind me. JAROD She is here... MASTERSON Someone is here... CHILD (O.S.) HELP ME!!!! Masterson almost lowers his gun. MASTERSON She is here. My God. JAROD We can still... MASTERSON We WILL save her. Jarod and Masterson go into the elevator. They look at the buttons. MASTERSON (CONT’D) Basement. JAROD How do you know? MASTERSON We detectives have noses of our own. Plus, if it was above
ground, someone would have noticed something along time ago. INT. UNDERGROUND LAB The door opens. Masterson jumps out with his gun ready. JAROD This place....what Is this place? MASTERSON I am no scientist but this machinery doesnt look familiar. They walk. They get to a section and the room opens up to something
else. INT. WALKWAY The two heroes are on a walk way above this bizzare city, if
we could call it that. The landscape shows hints that there is a world
underneath the “colony.” The “city” is indescribable but is clear that there is
some other species or civilization existing beneath the colonly. JAROD Should we turn around? MASTERSON You wanted to seek the truth? Right? JAROD ...for the truth. They move on. The walk way leads to another building. It is like a “core”
to the city or civilization below. CHILD (O.S.) Help! They both go on. INT. CORE They push open the door. MASTERSON Everyone freeze! There are moniters watching over the entire colony above. JAROD I can see city hall... MASTERSON The police head quarters. SCIENTIST You are not supposed to be here! MASTERSON Who are you? SCIENTIST This is a top secret project. You cannot be in here. MASTERSON Enough with the fake stuff. What is this? SCIENTIST Do you have a warrant? MASTERSON No. SCIENTIST Does...anyone know you are down here? JAROD No.... MASTERSON Don’t. D****t, you idiot! SCIENTIST Good. The scientist morphs into an Exomorph (A bizzare monster). MASTERSON What the hell are you? EXOMORPH I am...an Exomorph. Now what is a lab rat like you doing
here? JAROD Lab rat? MASTERSON We come for the girl. EXOMORPH You come to die. EXT. CORE Gunshots are head. INT. CORE Masterson is slammed against the wall. His ears are ringing.
He can see Jarod running as the thing is tearing up the
room. Masterson, woozy, points his gun and shoots. The creature turns around at him. Something happens, (he was likely hit and blacked out.) Masterson is crawling... He is crawling. He stops at the foot of two small legs. MASTERSON You... CHILD You came atlast. MASTERSON I was looking for you. CHILD It is not too late. MASTERSON I...found you. Child hands him an object. MASTERSON (CONT’D) What is this? Child looks to him and smiles. CHILD How would you like to be the hero? The world gets less woozy. Masterson climbs to his feet. The Exomorph breaks through the wall. JAROD HE IS COMING FOR YOU!!! Masterson’s arm is glowing as he holds the object. CHILD Good luck my child. Masterson points the object at at the creature. The world goes white. Fade to black. INT. MASTERSON’S OFFICE - MORNING Masterson walks in. He turns on the telivision. MAYOR We have no new leads in the case. I want to assure my good
people that... Masterson takes a sip. Chief walks in. CHIEF How goes that report. MASTERSON Report? Chief looks at him oddly. CHIEF The witnesses you were talking to. MASTERSON Oh them. They... I will get right on it. CHIEF Oh and there is some journalist outside waiting to see you. MASTERSON Since when have you become my receptionist? CHIEF Shall I tell him to go shove that notepad up an unpleasant
place? MASTERSON We had a meeting I think. Show him in. Chief walks out. JAROD Can I come in? MASTERSON Um... Sure. JAROD You okay? MASTERSON I think so. JAROD You look... MASTERSON I remember the drive. I remember entering the building... JAROD So what happened last night? MASTERSON I was talking about this morning. I don’t remember. Didn’t
you want to see me? JAROD Think. We did see each other last night! MASTERSON I...all I have is this dream. JAROD What dream? Tell me! MASTERSON There was this monster. He came to kill me and.... JAROD What happened next? MASTERSON It died. JAROD Died? MASTERSON It was coming at me. I heard a voice. It stared me down in
the eyes and... someone killed it. I saw it screaming in pain. JAROD Good enough for me. MASTERSON Why do you ask? JAROD I... had a dream too. MASTERSON Where you going? JAROD I have a news report I have to write about! Oh, and any
leads on the case? MASTERSON She is alive. JAROD Oh? MASTERSON I can feel it. JAROD We will find her, right? MASTERSON Yeah. INT. NEWSROOM - DAY JAROD (V.O.) All was quiet in the night as a raging inferno broke loose
at the facilities of DevelopCo. In a shocking display, there were no bodies
recovered. Most of the staff were given the night off in what was deemed a
company holiday. No one knows how the fire started and there was no hints of
arson. As of now, DevelopCo has determined to rebuild. Said one individual, “We
will not die.” Jarod is finishing typing when... REPORTER 3 They found her! JAROD What? REPORTER 3 They found the little girl. JAROD This is good.... The reporters face is grim. INT. MASTERSON’S OFFICE Masterson is watching the telivision. NEWS ANCHOR As of 11 this morning, a young girl’s body was found. Masterson drops his cup of cofee. NEWS ANCHOR (CONT’D) They have sucessfully identified the body as... MASTERSON She can’t be dead. NEWS ANCHOR Reports indicate she has been dead for three days. Flashback to... The girl looks at him. He looks at her. End flashback. MASTERSON She is still alive. FLASHBACK TO: EXT. CORE The Exomorph is coming after Masterson. CHILD Do it. Masterson points the object A bright light shines and envelops the Exomorph. Jarod blocks his eyes. EXT. FORUM - DAY Masterson awakes to find himself on a strange world. MASTERSON Where am I? There is arguing. Masterson walks up to the top of the forum, looking down. SPEAKER This is perhaps the toughest decision we have. Masterson sees how he is invisible to these people. MASTERSON Is this a...dream? SPEAKER We can’t let the human race be destroyed by these Exomorphs.
We have watched them for way to long. DEBATOR Why though? What thanks have we gotten from them? DEBATOR 2 They call us Angels! DEBATOR We are angels in myth only! To them, us Engals are some
messenger of their one god! SPEAKER You are right though. We have watched them grow. Our fathers
were there when they questioned the world around them. These people...are our
children. We cannot abandon them. DEBATOR 2 But we have been forbidden interaction between them. Any we
have had in the past were few and out of our curiosity. SPEAKER But did we not help them advance? We showed them fire. We
cried during their wars. We cheered when they reached the space. DEBATOR 2 These Exomorphs, they would use them as cattle. SPEAKER I do not want that to be the future of our children. CHILD I have an idea. MASTERSON You! CHILD One Warrior Coin. MASTERSON That thing! DEBATOR And what pretense can we give them one of our most sacred
advances. CHILD Thier survival. DEBATOR They will abuse it! CHILD One coin, one hero. Plus we all know they couldnt decipher
the technology if they tried. DEBATOR We haven’t interfered for thousands of years! Why now? CHILD We gave them fire. Let’s give them fire once again. SPEAKER All for....intervention. Raise your hands. The child smiles. CHILD I shall seek out a worthy hero at once. EXT. CORE The Exomorph looks up, to see again. Infront of him is ENGAL. EXOMORPH What the? CHILD You foolish creature. EXOMORPH Who the hell are you? ENGAL What....am I? CHILD I am a ghost of mankinds past. You have messed with the
wrong species. EXOMORPH These humans? These lab rats? CHILD Behold the kidnapper. Behold the murderers. Engal looks at the Exomorph. EXOMORPH I will kill you both. CHILD I leave the rest to you my child. She taps Engal on the shoulder and disapears. FLASH FORWARD TO: Phone rings. JAROD Detective it’s me... MASTERSON I remember. FLASH BACK TO: EXT. CORE Engal walks forward. The Exomorph grins. The Exomorph charges. Engal blocks and parries several swipes. The Exomorph goes for a punch but Engal blocks it with his
hand. EXOMORPH How? A human? The Exomorph gets angry and fires an energy blast from its
mouth. The impact sends Engal back. ENGAL Whoa. That was tough. The Exomorph inhales and shoots another energy blast from
its mouth. Engal blocks it with his hand, creating like a forcefield.
He is fighting the impact and trying to keep his balance. The energy beam changes color, its getting more intense. Engal place his other hand into the energy beam and it
begins to reflect it. With an adjustment the energy beam reflects back strait
into the Exomorph. The Exomorph is thrown off balance and falls to the floor. It gets up. Engal is right in front of him. Engal picks the Exomorph up
and smashes him with a brutal punch. The Exomorph tries to regain its footing but is tossed
around with a bunch of punches. A kick sends the Exomorph to the floor.
Jarod gets up and looks on. EXOMORPH Who are you? ENGAL You are the villain of this piece. Two blades come from the sides of Engal’s wrists. They
imediately turn into flames. EXOMORPH You can’t kill me! ENGAL You won’t be my first! The Exomorph shoot another energy beam, but Engal Deflects
it with one of the blades. In a twirl, the flame sword acts like a whip and slashes
through the Exomorph. There is a pause. The Exomorphs drops to the floor and explodes. The explosion causes the screen to go white. EXT. CAFE - AFTERNOON MASTERSON I am telling you that girl is alive! JAROD I have seen the body! Now tell me more about these “engals”. MASTERSON Engal, we called them angels. JAROD And you sure this was... MASTERSON When I touched that coin, it showed me these things. JAROD Look. We have no idea what we are going up against. MASTERSON You mean the exomorphs? JAROD The whatever the hell those devils want to call themselves! MASTERSON You are right. Our first step, is to find the girl. JAROD Our? MASTERSON You want in right? JAROD Since when are you this inviting? MASTERSON Since I figured if this thing is as deep as we both know it
is, I am your best protection until we solve this case. Unless... you want them
to come after you. JAROD Alright. MASTERSON You help me solve my case and I will give you the best damn
interview you ever had. JAROD So, you havent seen the body yet? MASTERSON They wont let me in. JAROD I can...arrange something. MASTERSON Oh? JAROD And I will check some more sources. MASTERSON You don’t think that you will be spotted by them? JAROD A good journalist should know the principle of being able to
become invisible. INT. MORGUE Child’s body is being examined. MASTERSON So you sure this is her? DOCTOR Facial recognition. MASTERSON But, her fingertips seemed to be burned. DOCTOR That is...true. MASTERSON So, why would they do that? DOCTOR What do you mean? MASTERSON In my experiances with corpses, when you burn finger prints
off the victim, you don’t want them to be identified. So why is the face so
perfect? DOCTOR Maybe she burned herself? MASTERSON This is a strategic burn. What ever happened to victim
number three? DOCTOR Number three? MASTERSON I am sorry, I think her name was Ambrose? DOCTOR I wouldn’t tell you. MASTERSON If we compile all the kindapping victims as one case, she would
have been victim number three. Her body was never found last I recalled. We
just called her dead. DOCTOR I assure you, this girl’s face is... MASTERSON Do you have the Ambrose file? DOCTOR Sure. Somewhere. I will go look. Masterson puts his hand in his pocket. MASTERSON Something about this feels.... He takes out his COIN and it seems to be glowing. MASTERSON (CONT’D) I wonder... Masterson lifts the coin. Child’s face turns into Ambrose’s. MASTERSON (CONT’D) Doc! Take a look at this! DOCTOR What the? How is this possible? What did you do!? MASTERSON Her face... DOCTOR What does it mean? MASTERSON It means, I still have a chance. Phone rings. Masterson takes out a cell. MASTERSON (CONT’D) Hello? JAROD There is a hostage situation. You are not going to beleive
it! Masterson runs out. EXT. ROOF - EVENING A VILE WOMAN is holding GIRL Hostage. A helicopter is circling the area. INT. HELICOPTER NEWSPERSON We are here at the scene of what appears to be a hostage
situation... EXT. BUILDING Masterson gets out of the car. JAROD Hostage situation, an unidentified girl, and one Woman. MASTERSON A woman? JAROD She is asking for the person who killed her lover. MASTERSON Interesting. JAROD You. MASTERSON So.... Cut to the battle scene between Exomorph and Engal. Cut back. JAROD Yeah. MASTERSON I see. JAROD Your plan? MASTERSON No comment. JAROD Break a leg. Masterson walks towards the building. INT. HELICOPTER NEWSPERSON Someone is coming up! EXT. ROOF Masterson walks onto the roof. VILE WOMAN Who are you!? MASTERSON I am...Engal. VILE WOMAN Engal? What is an Engal? Another CHILD walks into the screen. CHILD 2 I am an Engal. MASTERSON Two of you? CHILD 2 She is the real one. That girl there. She is the one you
have been searching for. CHILD Can...I go...home now? VILE WOMAN Shut up human! CHILD 2 That is another Exomorph. Of course you have probably
deduced that. They are a species of creatures, that like us, have gained the
ability to change their appearances. MASTERSON So it was you who was behind the kidnappings! VILE WOMAN The kidnappings? They were hardly kidnapings. We just have
been experimenting with new potential energy sources. MASTERSON Energy sources? CHILD They....hurt me.... CHILD 2 You people, are a food source for these...things! VILE WOMAN Things? CHILD 2 The Exomorphs, they hijacked your colony before it reached
its destination and then activated it so you people awoke when they already
harvested it. VILE WOMAN You know too much! CHILD 2 Don’t hurt me. This is the man that killed that fire
breathing wannabe boyfriend of yours. Vile Woman throws Child. Child looks scared but is picked up by Child 2. MASTERSON And why are you helping us young Engal? CHILD 2 Because my child, we love you. Now go, end this charade. Vile Woman turns into EXOMORPH 2. Masterson turns into Engal. Child 2 escorts Child to the stairs. INT. STAIRS Child runs into Jarod. JAROD You’re alive! CHILD Are you an....Ungal too? JAROD Let’s see your parents. EXT. ROOF ENGAL Smile. Your on colony camera! Exomorph 2 looks to the helicopter in the sky. EXOMORPH 2 Let me kill you. I want to kill you! I AM DYING TO KILL YOU! ENGAL So your boy toy breathed fire, whats your power? EXOMORPH 2 Glad you asked. Exomorph 2 turns into a gust and disapears. ENGAL Where did... Exomorph two forms together behind Engal and grabs him by
his throat. EXOMORPH 2 Was his death... this painful? Engal twists his body and turns the situation into a judo
throw. Exomorph 2 gets up and in a blind rage throws random swipes. Engal blocks the series of swipes. He then slams his leg into Exomorphs 2 knee, side, then
lifts the head of the Exomorphs and headbutts her. Engal then tries to grab her and she turns back into the
wind. ENGAL Stay put! EXOMORPH 2 (laughing) You still can’t catch me. In a series of transporting herself, she hits Engal with a
series of blows. She then reforms far away. EXOMORPH 2 (CONT’D) Give up? Engal stands strong. EXOMORPH 2 (CONT’D) Please? I really want to see you lose hope. But then again,
with that face being covered up by that armor of yours... ENGAL I look good under this, what’s your excuse? Exomorph 2 again goes into the wind. Engal puts his arms out. He then procedes to walking in a
circular manor. Exomorph 2 attacks, but he blocks. Through a series, he blocks each attack. The next series, he counters each attack with a shot of his
own. She comes back to a complete form. EXOMORPH 2 Ugh.... ENGAL Basic combat training. They must not have taught you that. She feints an attack, he blocks, she turns it into an after
image then hits him with a second attack. She then sets back, and does it again. This time he grabs her fist, and uses her momentum of the
second strike to throw her against a wall. He tries to punch her but she turns into the wind. ENGAL (CONT’D) Stay still coward! Exomorph 2 forms up. She is clearly tired. EXOMORPH 2 I will kill you NOW! She forms up fans and twirls with them. Engal forms his two blades. They both turn into flames. ENGAL Then lets end this. She blows her fans and out comes these blade like gusts of
winds. Engal blocks them. There is a pause in the action. EXOMORPH 2 DIE! DIE! DIE! She throws a fury that is so large it covers the screen. She can’t see, but when she relents, the area starts to
clear up. Engal drop kicks her through the haze of excess gust. She goes flying. She land on her back. Engal starts to approach with his flame blades. She tries to turn into gust but...she is spent. EXOMORPH 2 (CONT’D) I...can’t move. ENGAL Mercy? EXOMORPH 2 You think you have won? She staggers to her feet. Still unable to turn to the wind,
but she tries. ENGAL I have you beat. EXOMORPH 2 You think I am the last? We are everywhere. Your entire city
is our playground. Your civilization is a stable in our farm. ENGAL You just lost the farm. The two blades turn into whips. He twirls and lands both
flame whips through the enemy at once. A pose, the enemy falls and then, the explosion. INT. MASTERSON’S OFFICE Jarod tosses a news paper. Masterson catches it. MASTERSON What’s it say? JAROD Nothing. MASTERSON Nothing? Huh, let me see. He broswes through then realizes.... JAROD I mean nothing! MASTERSON The case of the girl! The Exomorphs! None of it! JAROD Actually we got the girl. MASTERSON Eh? JAROD Page 8. MASTERSON Its... JAROD A reunion story. Nothing about the kidnapping, and nothing
about any leads on the murder of those two kids who were watching her. EXOMORPH 2 (V.O.) We are everywhere JAROD You okay? MASTERSON Can’t be. JAROD I quit my job. MASTERSON What? JAROD At the paper. I quit the paper. MASTERSON What are you doing now? JAROD Sleezy conspiracey sheets. See, I figure if I report the
truth, i will be laughed at since...there was a media blackout of the event.
You want to know what I heard? MASTERSON No. JAROD That performance peice you did, was a scene for a movie they
are shooting. MASTERSON A what? JAROD A display of special effects! MASTERSON How can that be? JAROD Simple, someone in high places is pulling alot of strings to
keep this covered up. MASTERSON Or alot of people in high places. JAROD I figure the latter. Well I got to go. MASTERSON Where too? JAROD My new job. Oh by the way, that girl? She says thank you. So
do her parents. Don’t you know? You are her hero! MASTERSON So what about my interview? JAROD I don’t think we need to create any unwanted attention. No? Jarod walks out. MASTERSON So...”they” are everywhere. Chief walks by the office and looks at Masterson. The two
lock eyes. The Chief leaves the field of view. Masterson takes out his Coin. MASTERSON (CONT’D) So, when does our next battle begin?
It begins to glow. © 2011 Daniel RodriguezAuthor's Note
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Added on October 28, 2011 Last Updated on October 28, 2011 AuthorDaniel RodriguezPhoenix, AZAboutHello, my name is Daniel Antonio Rodriguez and I am a wannabe writer. I am 27 years old and have been actively writing for the past 12-13 years. I enjoy writing scripts and breaking out into niche gen.. more..Writing
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