Tower reflects human spirits as objects trees crowded out by buildings human minds connected to machines
Metamorphosis of meaning dissolution of spirit death disintegration metropolis of decay
Trapped within their own creations even in sleep she cries out for release
Bright clouds bring hope for your escape concrete cracked by unseen armies roots of trees patiently strangle machines that were wrongly awakened freedom arrives slowly
Ach, you capture my daily reality here. I work in London's Canary Wharf, which is a collcetion of towers. I think of them as egos. They are all straight lines of glass and steel and power. My place in all this is in the middle of a room some distance from a window, which never opens, can't open. All I can see from it when I look that way are other buildings. I can see nothing natural an I can't see the sky. This is no way to be. And my mind is linked to the machine in front of me. And I sometimes wake at night thinking about it. Ach, you capture my daily reality in my less than lovely tower, no ivory in sight.
In response to madahl: "objects" in my poem refer to the depersonalization of living beings. This is what happens when people are used as tools (for example, by corporations to make profits) rather than treated as individual human beings.
After reading your comment I considered adding words to clarify my intent, but decided against it. The definition of object is "a material thing that can be seen and touched" and that is exactly the definition I am trying to express here, the process of turning an individual into a thing rather than a unique living being. Any further details would defeat the purpose of using this word.
Also, I like to leave some room open for interpretation by the reader, I generally don't want to be too precise in a poem. If I were to write an article on this subject, I would be precise about what I mean by object. In a poem, I prefer if the reader ponders what the words mean. Why is the word "object" left alone without further details? Because that is what this culture we live in has done to most living beings, we have become flat two dimensional beings living in walled cities, living within the approved choices, walking the treadmil, losing our true selves in the process as the machine eats our personalities. Animals and plants are called resources and are consumed for profit, only those that struggle to hold onto their true self is able to keep their identity. Industrial civilization is a cannibal disease and the machine only works if living beings are viewed as objects.
What "objects"? Which is the subject in the second line? You don't have to PM with the answer. I'm really not that curious. Just be precise. Clarify. I don't have your foreknowledge as a reader. I can't see what you see. I don't know what you're talking about a lot. Maybe I'm in the minority as far as liking this goes.
Ach, you capture my daily reality here. I work in London's Canary Wharf, which is a collcetion of towers. I think of them as egos. They are all straight lines of glass and steel and power. My place in all this is in the middle of a room some distance from a window, which never opens, can't open. All I can see from it when I look that way are other buildings. I can see nothing natural an I can't see the sky. This is no way to be. And my mind is linked to the machine in front of me. And I sometimes wake at night thinking about it. Ach, you capture my daily reality in my less than lovely tower, no ivory in sight.
The natural world uses and contribues to our lives in its ex-and inhale, we're part of it and vice versa .. urban life contains fumes and dust and .. it chokes, at worse those machines create walls to lock in the human spirit. Yours words have the same and more wonderful leaning and inclusion .. you feel.
I joined Writers Cafe to inspire and be inspired, I hope you are looking for the same. I always review other peoples writing in return for a review (sometimes I am slow) and I look forward to any con.. more..