The Tin Mantronic

A World before Time : II

 

 

 

 

 

 

Imagine a queue of 25 people waiting in line to buy tickets into a movie theatre. Count from the first person to the 17th. That would be a person resembling the first object created in the beginning of time. This in relation to science would be after the emergence of dark matter, wave particles, ionization, crystallization and the installation of sensors on the object of the man. We can see that in us today.

 

In what may have been the simulation of a man, the work of the creative endeavour began its work by relying on the mantronic at 17 as the basis of its understanding about itself.

 

In the first movement, the passions brought themselves to adore the object of man, filling his every inquiry with answers, anticipating his needs and providing to him all that would make of his life an experience of joy and happiness. Today, when a man is denied something, his responses resemble that of a person who claims that he didn't ask for anything in the first place. That he was led into believing that he was such and such, only to be left today in the lurch with none of the customary contact he was automatically brought to experience.

 

In the aftermath of this, the man today finds that he is in position 15, which is that of the teen he identifies with. The 17th position is now identified with his mind. At 25 is the star that represents in some way the zenith of his movement to complete his experience. At 18 is the object of his passions which may have alternated from mother, sister to wife. At 16 is his daughter.

 

With the loss of the normal spoon-feeding that he has been accustomed to, the man reaches to 10 as the world.  At 10 he studies the timeline of the world, the various divisions of man and their cultures and thereafter in relation to the total experience of the world, he comes to identify the role he plays in the group. From then on he creates a specialization of his function in the role and comes to create a belonging to the world experience.

 

L. Frank Baum's Tin Man in the Wizard of Oz displays the same qualities and seeks the great Wizard to have everything explained. In that we are assured that such an all-knowing is possible in the experience of man. That the 25 people in queue at the theatre may eventually grow to 120 as elements named in the periodic table, the building blocks of the creative endeavour.