i put up some brave fronts in those days

i put up some brave fronts in those days

A Poem by Philip Gaber


I’d walk into a bar on Sunset Boulevard

and look for the nearest w***e.


What else was there to do?


My self-esteem was lower than Kafka’s.


I’d sit at a table in the corner,

order something that would get me drunk as my old man

and begin giving the eye to the w****s;


I was in love with w****s back then.


I had to have a different one every night

or else I’d get a headache.


Didn’t matter what they looked like;

although I was partial to blacks and Asians,

especially Asians with pretty feet, cause

I have a foot fetish and like to put my c**k

between their silky toes and jerk off till

I bust a nut.


Ah, but I digress…


I’d order a 7&7 and pretend I was somebody,

wink at the waitress,

try to get her number,

but she’d gimme the old brush-a-roo and

I’d go home with another one of my w****s and

come hard all over her belly, lie in bed, and have conversations like,


‘Sounds like your life is really kinda sad and sketchy,’ she’d say.


‘Only if you look too closely at it.’


She wouldn’t know what the hell to say to that,

but I could tell she was really feeling sorry for me,

kind of like the way you feel sorry for a dog

who can’t take his eyes off you when you’re eating a T-bone steak, and 

Sometimes, she’d tear up, and I’d say,


“For a w***e you’re pretty emotional.”


She’d slug me,

I’d pass out,

wake up an hour later.


She’d still be there,

sitting on the edge of the bed,

staring at me,

sipping a French liqueur,

looking like a Chekhov heroine on heroin.


I’d feel my face with my fingers,

ask her if I had a black eye,

she’d shrug and say something like,


“It compliments your inner demons,”

and I’d grizzle.


I’d offer her a cigarette,

we’d sit there smoking, and

focusing on the sensations

of our bodies

until the sun came up.


Then she’d crush her cigarette out

in the ashtray,

get dressed,

fix her hair,

touch up her makeup,

strike a pose.


“How do I look?” she’d say.


“Sexually ambivalent,” I’d say.

“How do I look?”


She’d study my face,

a little too closely.

“Dank-faced and disheveled;

like you’re self-conscious about sharing

too much of your personality

because you’re afraid

others will judge or criticize you.”


I’d nod but wouldn’t say anything,

primarily because of my pride,

but also because I figured you

don’t always have to say something

just because somebody makes a

dead-on observation of you;

sometimes, you can just sit there quietly

and let them wonder why you’re not

saying anything.


It’s okay to do that.


Trust me, I do it all the time.


Eventually, she’d realize she’d have to keep it moving;

too many gaps and silences in our conversations,

not a compelling enough emotional arc for her to care enough

about our little tale to follow it through to the end.


She’d say “Au revoir, mes enfant,”


I’d nod slowly and watch her walk out the door.


I’d sit at my desk,

drink some whiskey,

listen to some Monk,

write some poems.


“Even sad sex is better than no sex at all,” I’d think,

and sure enough, my headache would be gone.

© 2024 Philip Gaber


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Added on August 10, 2024
Last Updated on August 10, 2024

Author

Philip Gaber
Philip Gaber

Charlotte, NC



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I hate writing biographies. I was one of those kids who rode a banana seat bike and watched Saturday morning cartoons and Soul Train. But my mother would never buy any of those sugary cereals for us k.. more..

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