the trauma caused me to retractA Poem by Philip GaberDrinking my wine a little too fast, it suddenly occurred to me that I was alone, spiritually bankrupt and without anything to eat. Not only that, the woman I was dating at that second was feeding me lines like: “You’re such a man of consequence,” and “I’ve never met anyone with such extraneous values.” Determined to cheer myself up, I opened a chapbook of poetry entitled “Expunging the Inner Adult”, by Bartholomew Cobbler, and came across a poem titled, “Break a Lovely Pill In Half in Her Coffee She was last seen knees to her chest arms hugging her shins rocking to and fro mumbling, ‘Somebody heal me, somebody heal me…’” I flipped the page and read another one. “God I’m Tired It was cold out. Just about dusk dark. The moon looked like open-heart surgery. Her hand reminded me of broken glass. Her relapse was like a sinking ship in the Nevada desert. Her soul was walking around in bedroom slippers mumbling, ‘Peace and forgiveness were denied me on earth. Let us pray.’” I was beginning to get the hang of old Bartholomew. He really knew his way around the English language. I think he was making a conscious effort to…do something…make the reader feel something…incomplete, ephemeral, alone? Make them aware of their existential pain? And what about that last poem? “Plump & Schvitzing I draw the line at swamis.” Only 6 words, but ohh the brevity. So terse and lean, incorruptible, uncompromising. The phone rang. It was my lady. “You’re not drinking alone again, are you?” she said. “Absolutely not,” I said. “What are you doing?” “Reading some poems.” “Wow, a sensitive guy. That’s encouraging. I should warn you up front I’m a sexual predator.” Several beats went by, then she laughed. “I told you about my sense of humor in my email,” she said. “Yes, you did.” “You didn’t laugh.” “I smiled inside.” She sighed. “Ohhh I do enjoy your humanity on a certain level.” “Thanks.” “So what are those poems about?” “They’re transitory in nature.” “God, I love the way you break things down to their most basic fundamental concept. Read me one.” I turned to the table of contents and looked for a provocative title. “Shooting to Death’s Door I was living a heightened reality, a lyrical reality. Nobody understood what my rhythms were all about. It became an ego thing. I wasn’t a good bet, health-wise but I still allowed myself to be seen. I reinvented myself, mainly, to try and get people to see me. If they would have just allowed me to be myself, it would have been a lot different.” I waited for her response. “Done?” she said. “Yes.” “Well…” “What do you think?” “I don’t like it.” “Why not?” “It’s pretentious. It tries too hard to be… profound. Don’t you think so?” “I like it.” “What do you like about it?” “It’s unrelenting. It provokes me.” “To do what?” “Think” “Well, whatever. I’m tired of thinking. I gotta go. I’ll talk to you later.” I hung up the phone, turned to page 123, read the first few lines: “Endings Mean Never Having to Say I Love You I didn’t believe in romantic love. And on the other hand, I kept falling in love. Tears would shoot out of my face whenever I met somebody.” I closed the chapbook and thought; love is one of the few mysteries we can still count on. © 2024 Philip GaberFeatured Review
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2 Reviews Added on June 19, 2024 Last Updated on June 19, 2024 AuthorPhilip GaberCharlotte, NCAboutI hate writing biographies. I was one of those kids who rode a banana seat bike and watched Saturday morning cartoons and Soul Train. But my mother would never buy any of those sugary cereals for us k.. more..Writing
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