• how you hoped I wouldn’t turn out to be like all those other guys.
Umm... given that this line specifies "ALL" the others, listing 11 "other guys" by name seems a bit redundant. And quite frankly, if "all the other guys" AND the one speaking turned out the same, were I this unknown person being talked about, I'd begin to question my criteria for selection.
That aside, since every person listed is shown as being different, how can the speaker be "like them?" This makes no sense.
• I thought about all those guys and tried to figure out why you’d even think I’d be anything like them.
Who is this "you" that you speak of? You know, but the reader lacks context,
You list 11 possibilities for why this not introduced person might think the speaker is like the 11 very different people you mention. But why stop there? Seriously, there's an infinite number of things you could mention Why limit it to 11, or even need one, given the intro line.
Keep in mind that people come to poetry to be made to feel and care — to be entertained — not read a list of what matters to you.
Try a read of Mary Oliver's, A Poetry Handbook. It's a really good intro into the ways to make your words sing to the reader of poetry,
https://yes-pdf.com/book/1596
I hate writing biographies. I was one of those kids who rode a banana seat bike and watched Saturday morning cartoons and Soul Train. But my mother would never buy any of those sugary cereals for us k.. more..