With All Restrictions And Renunciations
Of Years Gone Before Ourselves, It Is
Possible To Speak Of A World Sublime,
While Verging Upon The Most Feverish,
Gasping, Quaquaversal Madness
(That Of An Abandoning, Erebusian
Consciousness, A Mysterious,
Mythical Recognizable)--Continuity Of
Erethismic Upheaval In Psyche--Uttering,
Falling Tangled, Into Pellmellodious,
Melliferous, Synaptic Symmetries,
Alternating In Dissonance Of Such
Introduced Push--Eyes Effusively Absorbing;
They Are Smoldering And Uninhibited,
In A Blazing, Rhythmic Rocking, Engendered
Androgynous, And Oscillatorily There, At
The Eclipse, Out Scene, All Moist, In
Umbilical Blood Singed Recesses,
Panting From Such Interior Painting Of
I like stuff that makes me stretch. I've got a half foot thick monster dictionary that has words in it that no human mouth should ever have to form without being drunk. You hit on a mess of them, girl child. This is like a verbal buffet of delightfully rich and gloriously fattening dishes. Yum, yum, eat 'em up. Who gives a rat's that I don't know what some of them mean. I can look them up.
The title struck me whimsically, so I read it. I found it amusing that when I tried to look up Quaquaversal on one online dictionary to save time, that I had to get a free trial of their elite dictionary to find out. Its not even in my normal dictionary. I guess I need upgrades. I think this poem is very successful for me, it creates very abstract images in my mind every time I read it. I think the use of extra-obscure words and captialization is a purposeful mechanism used by the author to help create the unusual mood. There is also a kind of alliteration/assonance going on with the words, which adds to the feelings it creates. I can understand that not everyone is going to like it, but I like it.
It reads a little bit like a science text book, I must say. You're obviously one hell of a bright spark but on a literary/artistic level it doesn't do a great deal for me. I'm a newspaper journalist and I've never encountered half of the words that you use here and I'm not ashamed to admit that. Your poem has stimulated a great deal of debate and that's a compliment, no matter what anyone thinks of it. I don't understand a comment below: "Words cannot help but be wordy." No, words can't but writers can. There's a Bill Murray movie quote that springs to mind, when he refers to his intellectual psychiatrist: "We're just the ropes on the Goodyear blimp." I felt a little like that.
The meaning to me is one second illusive and then it makes sense...if that makes sense? However, interpertation is in the eye of the beholder. Maybe I read into it too much, but I got the impression of a soul having two faces; the first and real person pissed off at a circumstance and the person's second face in polite society? I'm probably way off base.
Either way, it was allright and I liked it. My favorite was the first paragraph.
i think the person below me needs to pick up a dictionary and re-read this poem, you've painted a lovely metaphysical painting. i admire the way you use your words.
And then went down to the ship, Set keel to breakers, forth on the godly sea, and . . . Ezra Pound (TCOEP).
About
" My life goal? Literary Immortality--without compromise. "
" I would rather be skydiving while writing a book. "
philosopher & polymath
Author of the unpublished masterpiece PROTEAN NotUnTit.. more..