Clang Clank

Clang Clank

A Poem by Laura Lynn

CLANG
Tired tires, silver rims, I hear the clang of metal some
S
tylish somewhere and some plain somewhere, you are
I
ndifferent because you have no idea what I mean,
L
aceration cuts at flesh, perhaps the wolves got into it.
T
exture of wood, the grain, texture of anything, music,
S
tylistic choices the writer makes, it may not matter,
U
nfailingly the person sees this one great thing as a
L
ocksmith sees the lock to be undone or keys fashioned.

CLANK
S
uperannuated stages of life, we wonder how to plan,
H
andrails could be installed, what else?  A door here,
I
nured to the benefit, who gets all this, who deserves it?
C
lank, clank, clank, the chains are around our ankles,
supercharged
uncles they didn’t have a prayer, or
H
andwritten prayers, or not enough of them.  Quiet one
U
nutterable ideas have made me not well, I hear that
C
lanking and tempt myself with this PC screen, its light.

CLANNISH

Slanderous words.  What happened to the money?
H
elpless, I stand by the wayside and there were flowers,
I
mitation silk could not stand in for these.  The damn
V
ictual I didn’t need.  I shall never scream for ice cream.
T
omorrow there is much to do and a one worries about
immaculate
conceptions. Life is pure. I want to help.

CLAP
Make this world good somehow.  Tomorrow it shall be.
E
arnest people clapping, this noise shows recognition,
C
all me, or may I call you, and may God who is perfect.
H
elpmates have I one?  I thought I could have one.
I
nterpreters know, don’t they?  I have prayed for Adam,
A
s well.  So for a time things last for a shorter duration
than
expected.  The price of fame is not death per se,

C
atch a phrase, we want to know and be known, we
A
ccept changes and the prayer was an old prayer, my
F
air friends, who are you?  Will I see you tomorrow?

TO CLAP

Lummox of the self, what makes us clumsy, no sight,
I
nternet makes us see too close, what unpleasantness
M
ainstream media is the visible sign of the times, but
C
retinism threatens to make our children weak, the
H
emisphere is this realm, the sky over us is slightly
O
blong. 
 
C
restfallen, what are we looking at, what questions.
A
wl, again we are piercing leather, what
F
ruit is in season, the incessant buzzing over and over.


Clapper
I
nterrogatory Judy, no Punch this time, just Judy,
N
ose in the law books, we had to have a way about us,
B
rought into a new way of reflection, now I have this
A
utomated stuff before me.  I don’t care what it is,
L
ooking glass specific.  It gets boring devotion is not

CLARET
Y
our devotion could be boring as mine could be, the
A
utomaton self me, winning at odds, don’t get used to
Y
our lucky strike or winning streak rather.  The mistake
I
ntroduce you weakest link if there is one and that’s
N
otice of where the jailbreak might have originated.
A
vocation was my love and passion; I thought I had to
D
o something, some type of demonstration, show
O
f hands, not a mime necessarily just a response in
M
essy crowds.  No order until order is called for.


CLARIFICATION
Bring me a prayer Lord.  I cannot call you Sir, I recall
E
arrings as gifts and the day that I got my ears pierced.
R
epresentative from each state are down at the capital.
U
nprofitable winners, there to learn about countries.
R
epugnant age has made us batty, we must interact.
 
H
eptagons, let me call out, mathematician you, school’s
A
heavenly sort of religion.  Our schools whisk away the
V
ulnerable children, what I liked was not better than
H
ermitage, we used the children to repeat these lyrics,
A
song is written and we could write it together, shall I
R
eprimand myself.  I think so today, I cannot pretend,
A
canary is yellow, I have never seen one. 


TO CLARIFY

Lumpish stuffed animals run through the wash,
E
arnings of a poor, poor curmudgeon,
V
ultures picking on the rawest flesh,
A
ugust heat, it doesn’t matter anything,
R
eprint the feeling it is still there without
E
xpression, there will always be expression.
R
eputed belief, of course you were believed.

L
ump in our throat, it did not stump us,
E
cclesiastical mind, fear height, small child of mine.
H
ereunder the father who hates is not right, the mother
A
wakened.  They will not take your heart and soul, the
V
exatious seven devils in your heart, the love of him.
H
ereupon the living flesh roam as it may, we are tired
I
ntercom is a friend to distance, to reverberation.
R
eputation means that people see what is done.


CLARINET
C
rew cuts. I’ve never had one, military, my son,
L
ooker a real looker, she is, he is, what we wanted no
A
vid, no greed touching my soul, I don’t need all this
R
approchement, the cordial revelation of teenagers,
I
ntrinsic to a human being’s pattern of living,
N
ope, not this time. 
E
avesdrop if you are trying to be a spy.
T
ake this that I have prepared for you.


CLARION

Croaking like frogs, we are wet.
O
n Wednesday it rained.
L
azy we were and could not do anything.
R
epublican can we were but knew not what it meant.
A
lonely person I am, in a distant place, the kid is with
me
today, then with him.  We had him but we are not
 
vying
with one another.  We had him and love him and
eventually
he will grow like all plants and animals.
T
his boy, his future before him, for more years to
S
truggle with humanity.  We’ve gotten lazy, too lazy.
A
rial is a perfect font.  I repeat myself.  He is too pretty.
L
ucky, I think.  It is nothing to say it but we like to speak,
U
nderstand one another.  We like to talk to others if
L
ove is what creates a bond between men and women. 


CLARITY
S
ometimes I feel green or weird or awkward.  I lug
H
efty books and papers across a campus.  I like tents,
C
anteens that hold water.  Memories of Girl Scouts. 
I
t gets worse, the writing.  Calm yourself, we are only
F
ond of Garamond and some people made rash rulings.
U
nderneath it all, you really love me, she says.  Perhaps
T
hat love was young.  Together, we come together,


CLASH
Herewith our kings and queens, our princes, princesses.
I
do not know who they are.  A strange encounter with
the
outsider, they call me strange and send me packing.
A
cross an entire continent we travel and are not afraid.
C
alifornia was not an island to me, but a town and city.
L
ove met me there as love meets us everywhere, just
unlike
the next minute, each minute may vary, each
T
ree’s branches are each individual, unique to that tree.


TO CLASH

Lost in another universe, I had run away, without funds.
E
mitting a little phosphorescence, see us in the dark.
H
eredity gives us a certain appearance, with only means
A
ctions and acquired space, the green hills of Ireland,
C
ream puffs of Bavaria.  Each classic look or hint of
I
ngratiating smile, nice clothes, the best of the best of
S
ynchronous beats, you have set a goal too high, girl,
H
ell-bent again, I return to these brand habits, thinking

Like somebody has got to buy it, but for whom, who will
E
velyn share her wealth with, with whom, grammar is
H
ellenization in part, for isn’t Greece the center of it;
I
ngrid is not usually an ingrate, I can put things in order
T
oo.  These notes don’t matter to anyone but myself
necessarily
but that’s okay.  Something is wrong and
A
nyone has to figure out what, even though it’s all been
G
rievously done before I try to self-help myself, to push
E
arnestly forward some positive way.  I don’t like to run
S
ally said.  I cared about each person, didn’t I? No.  It’s a
H
erculean feat.  The composition competition begins. 


CLASP

Afghans lovingly stitched, or just in boredom,
V
ictory goes to the sweetest.  To pen these sweet
T
asmanian lines, you write down your world,
S
pells I was cast under.  A world of appreciation,
A
ll I want to do is continue my yoga practice.  Yogurt?
M
y father says.  There is no punctuation anymore and


TO CLASP
HOLD ON TO

L
ove the silent speech, grammar is disbanded,
each
writer creates their silent world, there
C
reation is minute, more manageable, we take
H
eritage and tie it in a knot, you think that doesn’t
A
mount to cold, hard cash.  There is something I don’t
believe
and something I don’t want so you can have it?
E
veryone wants this or that for a reason.  They teach
C
rustaceans to crawl the parents, evolved from what?

FASTEN
L
ove tomorrow.  It feels so good to write incessantly,
E
arnestly, quietly, anything you want to.  Love, beauty,
H
eresy these three are ok, the first two unparalleled,
A
nything could not be better than what is lovely, but
D
ogs and me love anger, it’s silly, okay? It’s a letter,
E
xpression is a letter, it doesn’t matter, I could put this
C
rispy lettuce on a slice of bread and this line on a rock.


DEPRESSING
My favorite thing to do is to write words on rocks but I
Eventually believe that community must be built up so
David, the sculpture I mean, will become even more
Acceptable to the world and famous.  Also, I could send
Creative messages to him with my hands behind my
Extracurricular back.  Don’t worry about it, all it means.


DERISION
Love is like nothing else, I’m just telling you what
I need and love, we don’t have time to listen to every
good soul just ourselves when we do this self-centered
Labor on an air mattress.  I was there on the mattress.
Ugly betty, a self wearing the same spectacles as Taylor.
God loves us but doesn’t need encouragement.  Laugh.



© 2014 Laura Lynn


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Added on October 16, 2014
Last Updated on October 16, 2014

Author

Laura Lynn
Laura Lynn

Fairfax, VA



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I like writing. I don't know what else to say. This has been a great website to share works in progress, some which I have abandoned some which I loose to myself and enjoy writing most of all. It'.. more..

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