Camera, top view, pans down on interior layout. JOSH and
BRODY are seen in the hallway, peeking in rooms as they
pass them. Camera pans around an empty bedroom. Dusty books
papers, drawings scattered about.
JOSH
Hey, in here.Smitty’s room
SMITTY'S BEDROOM- DUSK- SCENE 2
BENNY, DAVIN, and BRADY follow Josh into Smitty’s bedroom,
poking around. Benny picks up a box with sketches of demonic
figures.
BENNY
What is this?
JOSH, BRODY and DAVIN gather around BENNY. BENNY flips
through sketches of demonic creatures.
JOSH
It appears to be demons. They say
Smitty believed he lived with
demons. Said he talked to them.
Knew their names.
BENNY continues to thumb through the box
BENNY
Check this out! Sweet!
He pulls a Ouija board from the box.
JOSH
A Ouija board!
BRODY
So.
JOSH
So Lets talk to Smitty.
BENNY
Do you know how to use one?
JOSH
I think so. We'll figure it out
All the boys sit in a circle on the empty floor, board
opened in the middle of the circle, and they begin
discussing how to use it.
JOSH
Okay, everybody ready?
All give a nod as Josh places the planchette on the board
JOSH
Put your fingers on this and think
of something to ask.
The group follows Josh's instructions.
DAVIN
Wh-What kind of questions do we
ask?
JOSH
(Davin is
Josh's younger
brother. The
baby in the
family. He's
disgusted that
Davin is there.
)
Why don't you just stay quiet.
Nobody wants you here. You're a
pest. So just do us all a favor
and shutup!
Josh's head and eyes sweep around the room then stops. JOSH
stands and walks toward small shelves in the corner, pushes
a thin book aside and grabs a candle.
JOSH
Bro, still got
those matches
I gave you?
BRODY
yeah, right here
BRODY reaches in his pocket and pulls out a matchbook and
tosses them to Josh. Josh returns to his seat and lights
the candle.
Camera focuses on group. Candle's light glowing on the four
faces.
JOSH
(devious)
Shall we begin?
The room falls silent. Each boy looking at the other
solemnly.
Camera focuses on Josh.
JOSH
Uhh?
Josh falls silent in thought.
Mr. Smith can you speak with us?
Josh takes another pause. The planchette remains still.
Smitty?
EXT. SIDEWALK - NEAR SMITTY'S HOUSE - NIGHT - SCENE 3
TEEN GIRL #1
Did you see that?
TEEN GIRL #2
See what?
TEEN GIRL #1
It was like a moving shadow of a
tall man, under that light post.
stops and points toward the light. Teen Girl #2 Stops.
TEEN GIRL #2
I didn't see anything.
TEEN GIRL #1
Huh...that's strange
They cautiously continue walking.
Camera pauses it's view on the two teens, as they walk away
mumbling.
and follows behind quickly and smoothly, taking a sharp turn
onto the walkway up to the front door.
INT. SMITTY’S HOUSE - LIVING ROOM - NIGHT - SCENE 4
Camera moves quickly and smoothly through the empty living,
down the hall,taking a sharp turn.
INT. SMITTY'S HOUSE - SMITTY'S BEDROOM - SCENE 5
Camera moves straight ahead to the group of boys sitting on
the floor in a circle. Josh's back is facing the door.
Camera centers in on Josh's back and moves in putting focus
back on group and board. Camera circles around the backs of
the boys until focused straight ahead facing Josh with
group in full view. A black mist reaches around Josh like
an arm and covers the hands on the planchette. The
Planchette then begins to move in circles, gaining speed
then stops suddenly. The boys move their hands away in
astonishment.
The candle goes out.
DAVIN
Light the candle.
JOSH
I am. Hold up.
five second count in the dark
DAVIN
Hurry, I'm scared!
JOSH
Hold on, Tit!
He strikes the match and lights the candle.
BENNY
Rubs his hands together excitedly.
Oh, yeah! We're back in action!
CLONK, CLONK, CLONK (O.S.)
BENNY
(To Josh)
Dude, did you hear that?
JOSH
Yeah...
The group gets quiet and listens for more noise. They hear
nothing more.
JOSH
(Somewhat
nervously)
Everybody ready?
The group silently agrees to go on, by slowly placing their
hands back on the planchette.
JOSH
Okay, shhh!
Josh looks at each one in the group then continues to
proceed.
Smitty, are you here with us? We
want to talk to you.
The planchette remains still.
Smitty?
The planchette begins to move in circles, then stops on "S".
S...
The planchette moves again.
M...
The planchette continues to move around the board, stopping
on letters, until the entire message, Smitty is not here,
is spelled out.
The group looks around at each other in amazement.
BENNY
If you're not Smitty, then who are
you?
The planchette moves in circles, then stops.
Who are you?
The planchette remains still.
JOSH
Are you still here?
Nothing happens.
S**t, we lost him.
DAVIN
Can we go home now?
Davin asks while starring down at the board
JOSH
Would you wait a minute? I want to
try something.
DAVIN
It's getting late. Mom's gonna be
worried.
JOSH
Bro, what time ya got?
BRODY
Brody looks at his watch.
Ten till nine.
JOSH
We still have an hour. Just chill.
DAVIN
Davin stands up and begins walking to the door.
I'm going home.
JOSH
Josh stands up and follows his brother, then steps in front
of him.
You're not going nowhere.
DAVIN
(In a low
voice, just
above a
whisper)
Josh, I don't feel right about
this. I'm scared.
JOSH
There's nothing to be scared of.
It's just a game board. You're
just being a baby.
DAVIN
I'm going home.
Davin steps around Josh and heads to the door. The door
slams shut.
BENNY
Oh, s**t! Josh!
Josh and Davin turn around to face Benny and Brody. The planchette
is seen spinning in midair, before it's slung into the wall
and crashes to the floor in pieces. Josh runs to the door
and tries to open it, but can't. With his left foot pushing
against the frame and pulling back on the knob.
JOSH
The door's jammed!
DEMON (O.S.)
(a demonic
voice that can
be heard by all
in the room)
Why are you here?
The group looks around the room searching for the source of
the voice.
DEMON
(Angrier)
Why are you here?
A book flies across the room towards Josh, Josh ducks to
avoid being hit. The book hits the wall. Brody and Benny
run to meet Josh and Davin at the door. Benny pulls on the
knob. The door remains closed. Davin begins to cry. The
door swings open, throwing Benny backwards. Davin is lifted
from the floor and thrown through the opened door into the
hallway. The door slams shut again. The boys all run to the
door and call for Davin and listen for a reply.
JOSH
(Half crying,
half angry and
fearing)
What do you want from us?
DEMON
(demonic
laughter fills
the room)
You're on my turf, in my home. Why
are you here?
JOSH
(sobbing)
We were just curious. We wanted to
see inside.
DAVIN (O.S.)
Josh?
Davin bangs on the door.
Josh?
JOSH
(yelling back
to Davin)
Go home. Get dad.
The door swings open and Davin is pulled in by an unseen
source, the tips of his shoes slide across the floor. The
door slams shut. Davin is dropped to the floor.
DEMON
Tonight he dies.
Demonic laughs echo throughout the room. Davin is lifted up
from the floor again and is held in midair.
DAVIN
(screaming)
Oh God...Josh help me!
Davin swings his feet wildly. The demon laughs as the boys
try to reach him but fail.
Davin begins to cry.
Josh... help!!
DEMON
You piss me off!
Davin is thrown across the room, hitting hard against the
wall, bounces off and falls to the floor.
(Sounds of a
slowing
heartbeat
begin)
The group run to Davins side. Blood pours from Davin's nose
and mouth. He lays in his own blood.
JOSH
Davin?
Josh begins to cry.
Davin? P-Please don't die? Oh God
please...
Josh lays his head on Davins chest and listens for a
heartbeat.
(the heartbeat
stops)
Josh lifts his head and looks up to the ceiling.
(Yells in hurt
and anger)
NO!!! NO!!!
Josh lays his head on Davins chest and cries. The camera's
view remains still for three seconds.
Scenes are rapidly reversed back to the middle of scene two.
SMITTY'S BEDROOM- DUSK - SCENE 6
DAVIN
Wh-What kind of question do we
ask?
Josh looks into Davin's eyes and see's his fear. The camera
focuses on Davins face for a short time.
JOSH
(Sigh's,
feeling
sympathetic
for his
brother.)
I don't feel right about this.
Besides it's getting late and we
need to be getting home.
Josh stands up. Davin smiles in relief.
BENNY
Yeah, maybe another time.
The camera pans out to top view. The boys stand up one by
one and leave the room. The camera pans down to the center
of the room, on the Ouija board. The planchette circles and moves to
the word Goodbye.
My first... So go ahead, tell me whatever you feel... but please do not make this your own little personal bitch session from years of built up aggressions... I promise you, I've got my own and I'm not afraid to let you have it!
I was a little unsure about a lot of things, so if you see where corrections are needed, please don't hesitate to let me know. Thank you... I hope you enjoyed it!
My Review
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Alright, here's my input, as honest as can be. This seems like it would be a short film if anything, I don't know if you're planning on continuing it, but I assume not because of how clean the ending was. The first thing I'll point out that you could do is actually place Scene _ for whatever scene it is, because in one place in the script it switches back to the view in Scene 2. Of course, I went back to look for Scene 2, and I couldn't find the designation, but reading on it's a familiar scene so I knew what was happening. Further improvements you can use are camera instructions, such as panning, zooming, etc. It seems boring to read it in a script but it really makes a difference when you see it onscreen. I would study those movements and manipulate them at their proper moments. Now, this kind of thing would normally be left to the director, though the screenplay writer can make suggestions as well to the style of lens that can be used, like blue tinting and such. I would use a grainy style with a faint yellow tint for Smitty's room, seeing as how it would make the light from the candle seem to stand out more. The shots outside the house I'd give a blue tint, makes it seem colder, less welcome. You are the screenplay writer, feel free to state everything you imagine. You have the power, use it to make your screenplay as specific as possible so there is more of a chance the product will come out just the way you like it.
The actions and lines you gave to the characters really did seem to fit them well, and I was able to understand their character types pretty well through what lines you gave them. Those parts were especially well done. I would imagine this film to be about 10-15 minutes long, a good short film. This was really well done for a first screenplay, congratulations on it! I hope that it works out well on film.
Very well done, the scenes are well played out and can be easily pictured in the mind. What I like is the fact that it is a short film, yet has a underlining message behind it that goes on much longer.
I find that the only things missing is the:
1 Character descriptions, for example tell us that Davin is the younger brother when you introduce him: "DAVIN(15), is Josh's younger brother, the baby in the family. " Also after that you don't need to capitalize the names.
2. ___ stops and points toward the light. Teen Girl #2 Stops. Who stops and points?(yes sadly, even though it is obvious, you have to point it out)
3. Don't put in the camera angles, it pisses the tech and directors off! That's their job.
and lastly
4. If you want to go back to a scene just rewrite the scene heading and add the word flash back.
yeah definately cut between scenes but overall since we spoke a bit about the project i know what you initially had in mind anyway. it is relatively easy to decipher and it paints a nice picture for me that i can transfer to film. just cut between scenes and i think this will do nicely. now this was good training grounds for the monster fest entry..i am very proud of your effort and excited for you to see what i do with it.
now lets get your creaive juices flowing for a larger project what do ya say? you in?
Posted 15 Years Ago
Brilliant! I love the build-up of the plot, how you formed the characters. And when I first saw the word Ouija, I was like heck yeah, I've always wanted to try out one of those. so the whole plot line really caught my attention.
The character of Davin amused me, because there's always going to be a character who's weak in comparison to another, braver one.
Okay, so my review totally completely sucks compared to Stussy's down there...I mean, bloody hell...Hahaha.
Alright, here's my input, as honest as can be. This seems like it would be a short film if anything, I don't know if you're planning on continuing it, but I assume not because of how clean the ending was. The first thing I'll point out that you could do is actually place Scene _ for whatever scene it is, because in one place in the script it switches back to the view in Scene 2. Of course, I went back to look for Scene 2, and I couldn't find the designation, but reading on it's a familiar scene so I knew what was happening. Further improvements you can use are camera instructions, such as panning, zooming, etc. It seems boring to read it in a script but it really makes a difference when you see it onscreen. I would study those movements and manipulate them at their proper moments. Now, this kind of thing would normally be left to the director, though the screenplay writer can make suggestions as well to the style of lens that can be used, like blue tinting and such. I would use a grainy style with a faint yellow tint for Smitty's room, seeing as how it would make the light from the candle seem to stand out more. The shots outside the house I'd give a blue tint, makes it seem colder, less welcome. You are the screenplay writer, feel free to state everything you imagine. You have the power, use it to make your screenplay as specific as possible so there is more of a chance the product will come out just the way you like it.
The actions and lines you gave to the characters really did seem to fit them well, and I was able to understand their character types pretty well through what lines you gave them. Those parts were especially well done. I would imagine this film to be about 10-15 minutes long, a good short film. This was really well done for a first screenplay, congratulations on it! I hope that it works out well on film.
Its been years since I've written anything on this site but I entered a story in a contest and would like to see what becomes of it. I guess we'll see how that turns out. You can say I'm new again an.. more..