The Soul transfiguration in Deepak Kumar poetryA Chapter by Anwer GhaniA literary essay deals with soul transfiguration in literature.The style is the origin and what is post- textual world is the truth and everything in literature is a mirror for these elements. This is what Deepak teaches us. Deepak
kumar Dey is a writer of soul’s
language with a text carries a huge block of emotions, sentimental accumulation and distinct
experiences. The most important feature of the writer
personality of Deepak is his high ability to convert the external
sensual knowledge into a sentimental cognition.
This ability of this
conversion is present in most poetic writing but
in uneven levels and we can refer to the incarnation of the high level of this ability in the
writing by term "transfiguration". Every
follower of Deepak poetry will see his high conversion ability of the deep emotions into linguistic
elements. In addition to that, Deepak writing personality
has been characterized by the potent counteractive conversion
which is -in a precise word-
the conversion of the internal cognizant into external
experiences. The counteractive conversion is the
corner feature in poetry, where the poets convert the
internal experience into external one and this is in
contrary to the usual people act where their
external cognitions have been converted into internal experiences.
For this fact we believe that poetry is always an expressionismic and all poets are expressionists. Here in
this essay we will deal with the stylistic
features of the counteractive conversion in Deepak
poetry and it is obvious that this approach is a real exceed of the
stylistic analysis where the eyes search deeply in a
post-textual world so we can say that this approach is
a part of post-stylistic era because the
concentration on the post-textual elements. The transfiguration of post-textual elements has many textual figures
and the most important of these figures are the
soul transfiguration, the language transfiguration and
the superior facts transfiguration. We can
see the author’s soul in the text as ideas,
feelings and expressional stylistic
peculiarities and we can see the language in the text as a linguistic rules and powerful imposition of specific words in the
text and we can see the superior elements transfiguration as inspiration,
uncontrolled powers and non-understood disclosure. Here we
will concentrate on the soul transfiguration in Deepak
poetry, where we can see his feelings, his ideas,
and his peculiar stylistic expressions. In Deepak “An Enveloped Midnight Muse" the poet reached a high
level of soul transfiguration in his poem From the tittle, where the muse is
enveloped, we find the poet proceeds forcibly into the post-textual world. By
his enveloped muse, Deepak reveals the a meta-poetic dimension is his poem,
where the discussion and talking are not just about the external or internal
worlds but poetry is also a talking about the poetry itself. In fact we don’t need much words to show the deep
expressive feature of this phrase " An enveloped midnight muse" which can be an
independent poem. The enveloped midnight muse of Deepak shows a wide aspect of
his soul. We can see many areas of Deepak mind and feelings. So, the poet had
succeeded in making a big transfiguration of his soul in this title. From the start of this poem, Deepak affirms
the meta-poetic view and expression: (Assessing the specialised, invigorating plastic art, unimaginable printed words in many forms, aglow, surge's swell and critical assertions alluringly replenish my
beating heart. In the still of the night, under silvery moon, I manipulate rhythm
of the melodious flow.) With his serene style, Deepak reaches the
post-textual lands in a special narrative disclosure, where we find the
assessing of the invigorating plastic art. It is unimaginable and its surge
swell replenish the beating heart. And in the end of this part, we find the
poet manipulates the rhythm under the silvery moon in a still night. This
rhythmic poetic piece with its meta-poetic expressions, in addition to its
narrative disclosure, it shows deep areas in author’s
soul lands. It is not strange to see the powerful and direct transfiguration in
a line of this poem where the poet said: (coagalulated improvisations
transcend the released divine to find) The word "find" has a central part in the system of
transfiguration and it represent a feature of language transfiguration. Then by a special word "Delicately", Deepak shows a deep
lands in his soul and his writing style . In fact, language has an effect on
author, and sometime it finds its way to express its goals. Here, with
"Delicate" word, languages expresses its presence and shows the
connected elements in the writing system. The study of language’s
expression and its features in the text is a wide, deep and very productive
science. Deepak continues in its description
and narration and show more intellectual fields regarding the writing, the
poetry and the soul where he says: (An effervescent picture paints skillful resplendent hues. Rhyming melodies craft the outline of frescoes articulation.) And again, language enforces its presence in a central word
"Symbolically" in the following line (A blushed rose in my heart symbolically designates a prolonged
subtleness) In addition to the meta-poetic aspect of this line, we see the
power of language and the clear transfiguration of the author’s
soul where the heart’s
blushed rose symbolically designates a prolonged subtleness. The poem: "An Enveloped Midnight Muse" Deepak kumar Dey Dkd 27th August 2016 Assessing the specialised, invigorating plastic art, unimaginable printed words in many forms, aglow, surge's swell and critical assertions alluringly replenish my
beating heart. In the still of the night, under silvery moon, I manipulate rhythm
of the melodious flow. Stringing, drumming the enraptured virtuosity of triggered tempos, coagalulated improvisations transcend the released divine to find. Quickened quietness recreates the intrigued effervescence to endow, drenching in elasticated aquistions, I cognate my alluring mind. Delicately curled in oblique lines, the burning heat of autumn, an effervescent picture paints skillful resplendent hues. Rhyming melodies craft the outline of frescoes articulation. A pictorial silhouette mostly calligraphs pallets of vermillion
dews. A blushed rose in my heart symbolically designates a prolonged
subtleness, succumbed chimes elevates to the encryption of a modulated voice. © 2018 Anwer Ghani |
StatsAuthorAnwer GhaniHILLA, Babil, IraqAboutAnwer Ghani is an Iraqi poet, writer and artist. He was born in 1973 in Babylon. His name has appeared in many literary magazines and anthologies and he has won many prizes; one of them is the "World .. more..Writing
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