“Boy, come here,” Tall Jane called the boy. “Be quick with it.” She threw her dirty apron over her shoulder.
Daryn, with a smile, ran to join the ladies along the serving Island. “It’ll be rush time soon. Can’t wait?”
“It’ll soon be time for you to leave. Lest you’ve forgotten.” Tall Jane gave him a warm smile, came out of the serving Island, and embraced him. “To a better place then Old Jill’s Tavern.”
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So, how does breaking paragraphs of fiction into short lines make it poetry? The language isn’t poetic. You’re not advancing any unique thoughts or ideas. And, the viewpoint is that of a dispassionate storyteller whose voice contains only the emotion suggested by punctuation.
As a reader, we don’t know where we are in time or space as we read, or, what’s going on. And who’s Tall Jane? Waitress? Owner? Bartender? Without context this can’t work for the reader, who, unlike you lacks backstory and intent as a guide to understanding.
Given that you reacted badly to my last critique, I’m not certain of why you requested I read this. But since you did, and since this is fiction, shredded, not poetry, I’ll just suggest that you take a bit of time and read a book or two on the basics of the field.
I suggest Debra Dixon’s, GMC: Goal Motivation & Conflict:
https://archive.org/details/goal.motivation.conflictdebradixon/page/n5/mode/2up
If poetry i what you truly wish to write, Mary Oliver’s, A Poetry Handbook, is an excellent introduction to the techniques that can add wings to your words.
https://www.docdroid.net/7iE8fIJ/a-poetry-handbook-pdfdrivecom-pdf
I write poetry, trying to work my way into bigger things, but started with poetry. I've got a big catalogue I think of poetry I'd like to share. more..