Egyptian Gateway to the Dark: Jar/Fiction

Two adventurous Western scholars seek ancient-world image for dynamics in mystery-uncoiled concerning civilization exchange worry.

Ancient Egypt adventure stuff. 

DISCLAIMER: This work of Egypt-myth adaptation contains images/references with no ties to any person(s)/body and is cast as purely a 'personal' expression for social arts (for 'open' views/interpretation).

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Amlan and Ezzy set airways for Cairo for an inquiry into a very unusual piece of drawing and sword of non-Egyptian visage/aura discovered and tied to some stranger hypothesis concerning placement inside a pyramid-tomb as some conspiracy or prank and wondered what their Selfie-lives of academic lifestyle for transit hospitality would draw for their teacher-adventurer lives now (Facebook-like!).

AMLAN: This paper pencil sketch of two Egyptian queens across mirror plane is hot!

EZZY: According to our library-microfiche study, there's curses tied with Egyptology!

AMLAN: Well, the anachronism sword and drawing maybe be clues to a bridge game.

EZZY: Maybe whoever left them as visual signs made rumor of civilization rivalry.

AMLAN: We the hypothesis now that there's some paper records of gateway image?

EZZY: Good reading (library for adventure).

Amlan and Ezzy found some really nice authentic ancient world diorama pieces about life in Egypt tying laborers and soldiers in wolf-gear and clues concerning why placements of civilization emissary visiting strangers would intimate some deep gateway image of Egypt's (ordered?) contact with visitors learning of the darkness of mysterious tomb-hypnosis for immortal thoughts (hmmm).

AMLAN: This is so vague and blurry but quite extra credit, darling.

EZZY: See the two queen figurines arrayed like ghosts of Egyptian queens?

AMLAN: They're conversing or whispering through a mirror axis?

EZZY: Yeah, but are they transforming, as if they're the same woman changing?

AMLAN: What if this is some paper proof of contact between Egypt and others?

EZZY: War or peace (damn).

AMLAN: Selfie-like?

Amlan and Ezzy quickly found their quest for detective work turn to Hell, when mysterious robed 'drones' were running inside their Cairo-tombs area with weapons, and Amlan was thankful he costumed and weaponized his darling in theatrical garb with gear so they'd appear to be academic personnel with some grand theater rehearsal in-mind while studying/excavating...as if it was all fiction!

The drones didn't manage to nab the two adventurers, and they found some strange light amulet inside the Egyptian tomb which resembled the discovered anachronism sword, all signs that the ancient inhabitants of the pyramids, laborers and/or rulers, were conferring with diplomats...or invaders! Was this an omen not to inquire of Egyptian pharaoh's insistence not to be considered hospitality-masters (hmmm)?

When a sand-storm hit Cairo amidst their escape and hotel stay and note-taking for final cyber-presentation, Amlan and Ezzy knew this quest had some danger tied to it from the dark, some hellish omen making ripples of tribulation like image, forcing them to humility and return to the States (wow).

AMLAN: I had a dream I was contacted by a messenger concerned with our Cario, hon.

EZZY: What did this angel resemble, Amlan my man?

AMLAN: Like a very hideous comic art villain or villainess, and I'm not sure, hon!

EZZY: Maybe we tipped some scale, stumbled into some door-mentalism of Hell?

AMLAN: Anything goes...but maybe I should just adapt our tale into fiction for now.

EZZY: Facebook-like (good).

EZZY JOURNAL (Notes): "Looking at this Homeland (American) skyline for 9/11 mourning, and I'm thinking back to that day of new millennium Earth-country invasion, for the darkened light of the skies, and I have to ask if culture/nation/peoples exchange is colored through history for record is somehow...a Hell's jellyfish."

"Doing well is the result of doing good. That's what capitalism is all about" (Ralph Waldo Emerson). 

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"Money is everything" (Ecclesiastes)