Table: French Selfie Copy

Diorama-line about sports-globalism for competition class and Selfie-fanfare superstitions excellence in Earthling mouse-mazes.

A sports/media world cultures toast and glorification, featuring a 'cool' reference to the unforgettable '90s Graf-Seles rivalry (women's pro-tennis). 

DISCLAIMER: This work of social fiction contains images/references with no ties to any persons(s)/body (e.g., Yugoslav Wars) and is therefore cast as purely a 'personal' expression for social art (for 'open' interpretation/translation). 

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Mr. Amlan Satan was working on a special Selfie-lifestyle image storyboard about shared comments of globalism-rhetoric activity and began focusing on the iconic 1992 French Open women's (tennis!) final 'showcase' between once-indomitable Steffi Graf (of Germany) and upstart-shocker turned groundbreaking rival lady Monica Seles (of Yugoslavia). He recounted how the dominance of Graf in sports-media/fanfare signaled a restorations of great socialized form of the German people following that 'stigmata' of Nazi Germany in the 1940s. Seles was dealing herself with personal background civil-war tremors in home-nation Yugoslavia while challenging and rising to the theater of rivalry with Germany's power-killer Graf. This was purely a Selfie-languages and sports-rhetoric social media (and globalism!) adjective for Ms. Amlan Satan (Facebook-like!).

READER: Your complement post about love of sports-cyber is all IQ?

MR. AMLAN SATAN: My history chart of tennis video-games speaks volumes.

READER: Tying video-game markets (e.g., Madden) to world-media IQ?

MR. AMLAN SATAN: It's a synthetic world now, with avatar-celebrities.

READER: Tennis video-game replays of that Seles-Graf French toast?

MR. AMLAN SATAN: This is the antidote to terrorism, reader (ok).

Mr. Amlan Satan took his women's tennis diorama to Beijing (Asia), where there'd been some pre-Olympics colored-glass for world-hospitality readings of media-nets and globalism-rhetoric; and he personally had been a fan of the tennis successes of Michael Chang (wow).

Mr. Amlan Satan thought of how that 1992 French Open women's tennis final (Seles-Graf) featured a 1st-set domination by Seles, followed by a stern/strong comeback trumpet in the 2nd-set by Graf, followed by an epic and seemingly endless 3rd-set 'showdown' that went all the way to a 10-8 post multi-tiebreak seesaw that (finally!) saw Seles 'snatch' that Roland-Garros trophy for world-media fans and commentators...and artists! Satan wrote about the development of norms/customs/aesthetics/couture in world commerce and exchanges 'linked' social journal writing for the evolution of Earthling libraries (damn).

READER: Women should cheer more for Graf, no (Germany)?
MR. AMLAN SATAN: Seles was under personal emotion-pressure in 1992, no?

READER: Those Yugoslav-Wars of internal region(s) woe, huh?

MR. AMLAN SATAN: Before Seles made her splash, Graf was invincible, yes.

READER: She trumped through all contenders, fans recount!

MR. AMLAN SATAN: Good to see women in media...for Jabberwocky.

READER: Facebook-like (ok).

Friends, Mr. Amlan Satan was in fine-form with his world-nets commentary storyboard/posts/expressions of sportsmanship IQ for globalism-rhetoric, with his fine-silver cast of the 1992 Seles-Graf 'theater' of women's divinity, invoking a social-media/Selfie culture of likes and pokes for competition-watch cinema (e.g., Invictus, Wimbledon, Munich, etc., etc.). This was good egg soup (for the Ego).

GIRLFRIEND: You're like the new Thomas Nast (cyber).

MR. AMLAN SATAN: Earth's leviathan/uncertainty...for chess-shade (thanx).

"Doing well is the result of doing good. That's what capitalism is all about" (Ralph Waldo Emerson). 

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"Money is everything" (Ecclesiastes)