Jack: Touchdown

Underworld Medusa confers with Father Endymion concerning Earth cleat-paranoia and a Jack-the-Ripper like 'worldly' case for the 'social' books.

Inventive Summer yarn about transit-paranoia alluding to the visage of Jack the Ripper and featuring that iconic ancient hypnosis-siren Medusa. Inspired (loosely) by From Hell (Johnny Depp). Thanks so much for reading! 

DISCLAIMER: This work of folklore/fiction offers no ties to any person(s)/body and is purely a 'personal' expression for social arts (for 'open' interpretation). 

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Medusa, underworld demon-deity of snake-charms and hypnosis, was to confer with the Catholic Euro-priest (Father Endymion) about a new prowling night-stalker who modeled himself after Jack the Ripper, the 19th-Century streets-terrorizer of passerby/prostitutes, and proceeded to lead a double life of library work/research and masked post-midnight street-theater complemented terrors linked with the splashing of acid on the feet of the corpses of his 'elected' victims, for a mythology-folklore photo-synthesis 'hyperbole' of traffic-age/culture paranoia (wow).

FATHER ENDYMION: I'm a busy-priest with this Stalker case, and I'm doubtful.

MEDUSA: Don't have to regard my own underworld deity agenda, Father.

FATHER ENDYMION: This eerie anonymous Stalker character's the Ripper reborn?
MEDUSA: What if I knew his double-ID as an overground Euro-library man?

FATHER ENDYMION: I doubt protocol for deity-conference includes disclosures.

MEDUSA: I'll offer my hints/clues, and we'll make a joint storyboard for gossip.

FATHER ENDYMION: Aha, the 'rumor' of detectives-cleats, Selfie-like (fine).

The person in question, Mr. Amlan Satan, a nerdist-recluse of the United Kingdom, chose to operate one dense frequency of activity season, Xmas, and created quite a social media 'shine' for Ripper-lore for Englishmen and journal-writers (hmmm). Medusa and Father Endymion continued to complement these dark deeds of the Stalker (Amlan Satan) with cyber-storyboards concerning lines of doubt and superstition for Earth-transit and pedestrians reflecting an arguably timeless view for ABCD photo-synthesis (for leviathan).

MEDUSA: I think I've a cue-clue about the ID-image/photo of the Stalker, Father.

FATHER ENDYMION: I've the gumption to think spotted 'Scarecrow' is the same.

MEDUSA: This man is a library-nerdist with fortunes stored; aristocrat-fury.

FATHER ENDYMION: Your interest concerns street-hospitality hypnosis (fear?).

MEDUSA: I'm the snake-lady of obsession/hypnosis, Father; it's all Selfie-like.

FATHER ENDYMION: Hospitality undone is a social media touchdown, no?

Why was the Stalker, coypcatting the 'aura' of Jack the Ripper, for Euro-gossip, obsessed with this anti-hospitality pedestrian-paranoia 'acid-splash' image for the books? Father Endymion wondered alongside Medusa if this case of stranger character hellmouth(s) invoked a perdition's tale of incomplete bad sportsmanship for a new age psycho (criminal!) who wanted to be thought of not as Peter Pan (JM Barrie).

STALKER (Journal/Excerpts): "Me thinks to find the right-stuff toys for 'space'...Euro-currency marks for disorientations or deconstructions of city/town/street towers of Babel...there's something nifty/neat about pedestrian tremors for consumerism symbolism or image...linking capitalism together is the stuff of leviathan (for museums direction)."

"Doing well is the result of doing good. That's what capitalism is all about" (Ralph Waldo Emerson). 

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"Money is everything" (Ecclesiastes)