For the Sake of Brainiacs

Narration/diorama of sci-fi museum civilization 'logic' for a worldly (consumerism) superstitions rendering of the quality of Earth's leviathan.

A diorama representation of the Earth socialization value of the art-placements symbolism of the iconic and unusual HR Giger Museum (Alien media). Thanks for reading, 

DISCLAIMER: This work of creative fiction offers no ties to the referenced works/franchise of inspiration and all images/references used herein comprise a purely 'personal' expression for social arts (for 'open' interpretations). 

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While at a hostel-station during my science museum cross-country studies (Inn Express), I decided to liken some of my consumerism stick-figure doodle self-expression funny artworks complementing my capitalism-superstitions storytelling with the iconic Giger Alien sci-fi/horror museum artworks/exhibit pieces for a hospitality-reading concerning Earth-track wanderer/residentialism philosophy, in my 21st-Century of terrorism-mounted paranoia concerning incomplete-lines to Selfie-securities (for photo-synthesis!). Follow along.

I consider myself something of a youthful-idealistic salesman-writer of capitalism's broad-arms of hospitality/paranoia, and my age of terrorism-bureaucracy tales made for the right initiative for this complementation of consumerism stick-figure doodles/tales and Giger's iconic and bizarre alienation/isolation/monstrosity hospitality-paranoia themed 'dominion' art-pieces of the sci-fi/horror variety (for a Selfie-culture laughter!).

Giger's museum cleverly blends mind/distances spaces for images and colors of outright socialization or safe-space 'lines' of leviathan or sanity-complexity, yielding stranger expressions of monstrosity and security, a blending for our terrorism-age of pronounced violence identifications (for color and cleats!).

Wow, I thought. These hideous and other-worldly beings of track-eeriness and monstrosity in the Giger museum reflected an anti-Metropolis view of hospitality or outright invasion mindfulness of the spirits. These Xenomorph-drawn 'specter' forms of physique (and furniture!) were the right-lines of isolationism for terrorism adjectives for Earth-track (sure).

Well, there's plenty of toys-and-color for our capitalism 'consciousness' of Earth-track, and I listed and thought of such imagery, of watches and laptops and robot-mice and glass banks. Hospitality was the adjective for my Earth age of terrorism, and the placements of objects for lifestyle and behavior and activity and arms would crystallize the paranoia behind shatter-proof surfaces being 'prodded' or poked by the leviathan of terrorism's general masters (sure).

So, I offered my own consumerism 'pieces' of funny stick-figure doodles that would complement my capitalism/terrorism paranoia storyboard(s), one of which included a funny Xmas-shoppers terror-strike mall ghoul called "Evil_Elf" (a nod to what made 'leviathan' hospitality-films like Gremlins hallmark for American/Earth 'cleats' for the Ego).

VISITOR: Wow, the furniture here reminds me of scaled wall/house horrors.

ME: Surely does, friend; it's a universe/dominion of settings-eschew.

VISITOR: What're you making of these image-reactions?

ME: Well, I'd like to think this image-examination offers tales-of-creatures.

VISITOR: Money.

ME: For principals.

VISITOR: Or beauticians!

ME: Ok.

GIRLFRIEND: Cheers for civilization.

ME: You said it, Esmerelda; volunteer-docs.

GIRLFRIEND: Money.

ME: For dachshunds (ok).

"Doing well is the result of doing good. That's what capitalism is all about" (Ralph Waldo Emerson). 

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"Money is everything" (Ecclesiastes)