Galatea's Proximity-TheoryA Story by Abishai100The ancient sculpture of fantasy studies sphere-geometry IQ for capitalism-theory with an Earth-prince, for fortune's cartilage.
A vignette featuring an adapted myth of Galatea with a civilization eye for the geometry-phenomena of close-packing of equal spheres and drawn from the society fortune-dialysis images/themes from Capitalism: A Love Story (Michael Moore). Thanks for reading (Happy Father's Day),
---- ==== Galatea had been infused into the form of an excellent American Homeland shopping complex mannequin and stood in front of her store wall gazing at the consumer passerby in the post-9/11 era of net-distances 'linked' socialization choreography for globalism-rhetoric facilitating commerce 'bridge' games to securities for 'confidence' in language and capitalism for photo-synthesis and sportsmanship fiction. Friends, Galatea had an intriguing theory about visual perception for space-distances changes or shifts, concerning packed collections of circular shapes in either rows or columns. You see, when a pack of circles are arranged in distances revealing units of rows, separated by modest space vertically, they were perceived as rows (sure). GALATEA: "These circles were arranged as rows; but these circles are spaced to give the visual space-formation of columns (not rows!); for these column-circles have modest space horizontally between them and hence are perceived as columns (not rows!)." She came across a mall-consumer named Amlan Satan who was studying visual impairments affects on the brain's plasticity giving rise to adaptation-speed rate calculations for reflex 'consciousness' in the human. According to Satan, when rows of circle-shape collections were distinctly perceived as different from columns of circle-shape collections (as Galatea was examining too!), the human mind perceived either the vertical/horizontal spaces between the rows/columns. When these distances were altered or 'mutated' and the rows began to separate too much vertically to not be perceived as columns; and the columns began to separate too much horizontally not to be perceived as rows, then the human mind began to think of perceived distances as catalyzing plane measurements of object/position flux or complete change. AMLAN SATAN: "These 'critical' thresholds of distance (vertical/horizontal) perception in the brain forming rows or columns, later collapsing into columns and rows (vice-versa) reveals that mutation itself is akin to the Selfie-traffic capitalism/consumerism distances/access 'feelings" of adaptive lifestyle reach/profitability." GALATEA: Your theory's quite bright, prince of Earth-realm. AMLAN: Are you speaking to me, mannequin (geez)? GALATEA: You're studying close-packing of equal-spheres (geometry)? AMLAN: You too? GALATEA: It intrigues me how rows collapse into columns (vice-versa). AMLAN: There's critical distances that form either rows/columns, no? GALATEA: Distance-value changes, in proportion to the size of the circles! AMLAN: It's a flux-consciousness universe, mannequin (but you speak!). GALATEA: I'm Galatea, from the ancient Earth, prince of Earth-realm. AMLAN: I know of the mythology (Pygmalion)...but you're real/actual? GALATEA: My message concerns your world's bubble-spaces of networks. AMLAN: Adaptation, alignments, ascension, acquiescence (capitalism). GALATEA: Access-thinking for the 'sportsmanship' of leviathan-evasions, no? AMLAN: Wow, you're quite sharp, mannequin (Galatea). GALATEA: Sounds-dialysis for capitalism beauty...arms of globalism-toys! AMLAN: This is bound-Romanticism of the brainiac brand, Galatea (thanx). GALATEA: Perchance we both share a flexibility-image for fortune's links. AMLAN: Capitalism: A Love Story (Michael Moore)? GALATEA: Good (Facebook-like). "Doing well is the result of doing good. That's what capitalism is all about" (Ralph Waldo Emerson). ==== "Money is everything" (Ecclesiastes) © 2024 Abishai100 |
StatsAuthorAbishai100NJAboutStudent/Minister; Hobbies: Comic Books, Culinary Arts, Music; Religion: Catholic; Education: Dartmouth College more..Writing
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