The Prince

Amlan Satan is the 'Earth-prince' whose civilization 'bounty' includes diamond-capitalism, chess-defense, and the Romanticism behind 'race' examination(s).

Another (final) vignette dedicated (for the post-9/11 era) to and inspired by Capitalism: A Love Story (Michael Moore). Enjoy, 

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Amlan Satan had become a real prince of the Earth-world, living off princely inherited fortunes at the Wingate (Hotel) in North America and using WiFi-resources to infiltrate 'underground' blood-diamond communications labyrinths of cyber-intelligence with Interpol-relation while creating insurance interception blueprints bridging British Columbia and Northern Ireland gem-stores being corrupted by gem-piracy smuggling in the post-9/11 era of capitalism 'chess-stalemate' terrorism-finances.

THE PRINCE (Amlan Satan): I liken myself to a Mortal Kombat video-game 'prince' of combat/defense (Bo' Rai Cho) and not to a James Bond or Robin Hood for this interceptor work on modern Earth regarding the shape(s) of capitalism 'chess' stalemates (ha).

As a fan of social-media, the Prince (Amlan Satan) had become an avid-fan of the 'New-Porcellian' cyber-chess society of New England and fashioned a special 'network' for chess-stalemate diagrams applicable to modern sector-commerce bridging securing capital negotiations/talks not seen since the end of the Cold-War era, when 'social media' surrounding chess-advertising (Fischer-Spassky) drew in legions of writers/fans/surfers (wow).

He cast himself a special capitalism-interceptor 'mischief-parody avatar' (Evil-Elf) to make 'chess' like intelligence commentaries in the cyber-underground (Wingate) regarding diamond-insurance securities and infiltrations of 'rogue' terrorism finance(s).

THE PRINCE: The challenges faced in this new life/condition of capitalism-chess make for lonely-sorts, and alas, my romanticism extends to a sort of 'street-poetry' where my fair-princesses are often/simply 'damsels' of the hospitality-examination (ha).

He had to challenge numerous underground secret agents through the Wingate who dared to defy his 'cool' Bobby Fischer style of chess-play and often were dealt 'square' defeats or challenging stalemates...and he never ever (therefore) outright lost any series/title as the Prince (wow) and meanwhile became an 'avid-fan' of the Cold-War chess social media cinema Pawn Sacrifice (Ed Zwick).

THE PRINCE: The irony of all this profiteer-interceptor work and 'chess-stalemate' American fantasy is the gathering of 'beloved' comics-art(s) imagery surrounding the 'raw cool' of the anti-terrorism examination(s) landscape, and it's made a 'child-reader' out of me (wow).

His greatest treasure was not a blood-diamond commission prize but a very 'cool' Western/American sports-market media/consumerism 'diamond' --- a Super Bowl ambition-symbolic pro-football spirits card --- the 'dazzling' original red-print edition Strike-Force Randall Cunningham post-Eagles career team-transfer (Upper Deck) Viking-QB gem, made in 1999.

AMLAN SATAN: When I think of this symbol of sports-market/capitalism negotiations print/icon, I 'dream' of the quality of capital human race expression of the nature of media/commercialism Ego-defense (United States and Earth too).

"The theme my generation explored was the relationship between capitalism and art" (Takashi Murakami).

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"Money is everything" (Ecclesiastes)