Vigilante: Mystic-Date

A diorama about the nature/quality of vigilantism-lore in the West/Americas in this post-9/11 era of 'outstanding' dread(s).

My grand opus on vigilante-lore, inspired by The Legend of Billie Jean (Helen Slater). Thanks for reading, 

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A unit of Cossack-Algerian warriors became vigilantes in the American/Western landscape after being inspired by a pulp-fiction novel about post-apocalypse visions of metro-sanity/securities in the post-9/11 era of commercial traffic fear(s).

This 'band' or 'clan' of vigilante-Cossacks drew inspiration from lore and comics about street-vigilance and actions against mob-psychology and urban riots reminiscent of the LA Race Riots and wanted to prowl the city streets in the United States costumed as 'street-performers' with a special message about distinctive human heroics with a circus-like orientation regarding media-friendly valor/storytelling.

The Cossacks were comprised of numerous individuals from Algeria, either natives or migrants who were all descended from Cossack-warriors from the ancient world and were interested in re-presenting themselves as 'agents' of great worldly reform for the alleviation of poverty and racism in the modern 'matrix' of magazine-culture advertisements and consumerism/TV.

COSSACKS/VIGILANTE: We're comprised of both men/women arrayed in the form(s) of 'outstanding' patriotism for urban-IQ.

The mission was certainly clear. After 9/11, the US city became 'on-edge' about every commercial securities in everyday institutions/architecture such as the Salk Institute (San Diego), the Space-Needle (Seattle), Times Square (NY), and Fenway Park (Boston). The Cossacks/Vigilantes wanted to establish a dual cyber and street-prowling vigilance 'presentation' about post-9/11 era comfort-zones with advertised and night-monitoring trackers who'd keep a look-out for suspects with an 'eye' for urban calamity!

COSSACKS/VIGILANTE: We've designed special cyber-leaflets for our 'recruits' for diagrams of urbanization monitors of Hell.

Now, it's well-known this 'vigilante-tribe' in the West/Americas were diluted across the cities as costumed/employed nurses, photojournalists, cops, artists, merchants, and postmen --- all with a readiness about any breakout of post-9/11 era disaster/deformity!

Two of the members of this 'key' hero-unit in the West/Americas were the Satan twins (Amlan/Ajay) who're both Algerians and one was a nerdy cyber-hacker of foreign terrorist-cell networks and the other was an Ivy League professor who'd been working as a blood-diamond operationalist in Chicago/Boston.

THE SATANS (Twins): By devastating the blood-diamond rings in Chicago/Boston and creating hacker-security layers for Western/American traffic and activity, we're casting ourselves (in 'costumed' vigilante cyber-blogs) as 'modern' knights (or active defenders!) of the post-9/11 traffic dialogue...for 'real' cinema.

THE POST (Cyber-Newspaper): We're sure these 'Cossacks' hope to inject the city with optimism about post-9/11 era IQ.

ARTIST: We do believe this 'game(s)'-scenario' cast by the Cossack-Vigilante 'unit' intends to create matrix-IQ for disasters!

STUDENT (Harvard): It seems vigilantism is very frowned upon, but resurrected comics aesthetics invokes 'heroism' energy!

THE SATANS (Twins): We're certain the new cinema-landscape offers the modern journalist/audience(s) 'outstanding' references for pronounced forms of costumed drama in the US city for a serious lens on the adventurism and rhetoric of urbanization doctorates.

As the Catholic-festival of St. Patrick's Day approached in North America, the Cossacks-Vigilante 'tribe' utilized their energies/resources to create special/unique 'rings' of urbanization march for the re-presentations of post-9/11 era democracy dictionaries for the media-friendly 'advertisements' of serious American dollars!

THE SATANS (Twins): We're using special 'faerie' avatars/mascots/artwork(s) for our Western/American 'crusade' since the faerie (a mythic miniature winged humanoid of Earth-forests with messages of wisdom/warning) reminds us of the 'metaphysics' value of shared aesthetics regarding modern social-media delight (e.g., Nickelodeon).

THE POST (Cyber-Newspaper): Ironically (enough!), these 'vigilantes' inspire homeschooling-games promoting democracy.

Meanwhile, the Security Council (UN) convened to talk about the post-9/11 era 'impact' of the 'troubling' Russo-Ukrainian War on commercial highways and capitalism/consumerism and of course immigration between (Eastern) Europe and the United States. Urban traffic was now a 'global' worry/woe.

THE SATANS (Twins): We're using a special Euro-museum to insert messages/images of urbanization vigilance and traffic securities for children, to cast modern activism as a 'diagram' for serious Western dreams, and the hope is to resurrect the iconography of Robin Hood and Hollywood!

THE POST (Cyber-Newspaper): The 'cult-followers'/audience(s) of these 'Cossacks/Vigilante' stories praise video-game art(s)!

As city riots broke out in British Columbia in response to the wave of cyber-optimism created by the vigilante force, led by the Satan-twins, the Cossacks-Vigilante stories gained in ironic popularity, since post-9/11 era journalists cared about the 'quality' of urbanization lore regarding the control(s) of mob-psychology dreads.

Two recruits of this 'vigilante' unit, Leo/Cruise, broke into blood-diamond banks in Los Angeles and Vancouver to perform special 'raids' of safe-boxes to create fantastic media-lore about the drama surrounding modernism depression.

THE SATANS (Twins): We do think all this 'Western' matrix fantasy will generate cool lore about traffic and immigration patterns conducive to modern cinema regarding the pedestrian ideas about 'human' passions/capitalism.

You simply can't tell who's an active member of this 'covert' unit of Cossacks-Vigilante story-force, and they might be nurses in your local medical-center, ushers in your local theater, cops in your local neighborhood, or even (perhaps/arguably)...'actors' in your local academy.

CRITIC (Editorial): The irony behind vigilantism-cynicism is that it negates the 'normalized' value of everyday fashion(s).

THE SATANS (Twins): Well, despite all the naysayers, we maintain our 'trend' is to hoist the pro-capitalism rhetoric in this post-9/11 era in the West/Americas to defend the securities of the urban centers for our kids --- so they can 'freely' navigate/celebrate the iconography of commerce and consumerism as simply...destined.

A major media-doll/figure in the United States, Lori Loughlin, star of a hit-sitcom about everyday Western/American domestic value(s) suggested that in a cyber-fanzine (anonymous!) commentary that to suggest that vigilantism would be taken seriously by modern cops/politicians would belie the realism behind the certain fact that magazine-culture in the modern world celebrates the simple 'joys' of accessible employed lawmen.

THE SATANS (Twins): All we're suggesting here is that vigilantism is a Western/American liberal 'thought' since it promotes the liberal thought that 'care' for education playspaces should allow for stories about the 'dramatics' behind our children's daydreams about 'serious' detectives.

CRITIC (Editorial): We remain 'skeptical' that vigilantes will replace cops, and teachers should fill the void for American-IQ.

If you wish to support your local neighborhood-watch or community-citizenry traffic/curfew patrol(s), consider the 'legacy' of great folk-tales about American lawmen/heroes and even romance-outlaws in Western civilization like Eliot Ness and Robin Hood who remind us that the 'imagery' behind vigilantism is simply one of focused...doctors.

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"Money is everything" (Ecclesiastes)