Seriously. Someone we know nothing about has written a letter to someone unknown, for unknown reasons. Meaningful to you, but what's in it for the reader? The language isn't particularly poetic, and quite frankly, the person speaking sounds like the typical battered woman, hurt again and again, but always staying because they convince themselves he'll change, or that they owe him for having once or twice acted like a decent person.
Not your intent? Then stop taking TO the reader as if they have context for things only you know. If the protagonist is willing to stay with someone because they once were decent, make the reader know why, not just the fact of it. Make it so real they tell you it's a wise choice.
Seriously. Someone we know nothing about has written a letter to someone unknown, for unknown reasons. Meaningful to you, but what's in it for the reader? The language isn't particularly poetic, and quite frankly, the person speaking sounds like the typical battered woman, hurt again and again, but always staying because they convince themselves he'll change, or that they owe him for having once or twice acted like a decent person.
Not your intent? Then stop taking TO the reader as if they have context for things only you know. If the protagonist is willing to stay with someone because they once were decent, make the reader know why, not just the fact of it. Make it so real they tell you it's a wise choice.