Alessander's Mad Poets (AMP!) Forum Prompt: Blues Poem

I'm lifting this prompt from a fellow web-instructor. Here's the link, but essentially, I'm just going to copy and paste the prompt here (especially since one must be IN scribo to see anything).

Sit down y'all, lemme tell you 'bout the blues I say sit on down, while I tell you 'bout the blues I'm gonna break it to you soft, this recent sad sad news.
You've probably heard someone sing the blues before, but have you ever considered it as poetry as well as music? According to this brief description on Poetry Magnum Opus (PMO), the blues' indebtedness to both makes it "as much a part of American literature as it is a part of American music." This month's Formal Fluency contest is all about the blues. Take a look at the PMO listing (and the related one for Blues Sonnet if you're feeling adventurous) and then come up with your own bluesy verse. Since PMO uses rather abstract language at times, here's the skinny: Stanzas of three linesEach line in a stanza rhymesThe second line of each stanza is a variation on the firstRoughly twelve syllables per lineDeals with unhappy themes in a humorous or sarcastic way
Traditionally, blues stanzas are made up on the spot (that's what the repeated line is there for— to give you time to come up with a rhyme), but don't feel like you have to do the same.
So, bring out your blues! Write a poem consisting of several blues stanzas, or try your hand at a blues sonnet.

(Here's from the links)
The Blues was born in 19th century from the African American experience expressing "lamentation and complaint". Originally written for music, with the 3rd and 7th notes of the scale flattened, the poem should capture the same minor tone. The Blues confronts life head on, often expressed in sarcasm, wit and humor. Langston Hughes (1902 – 1967) is credited with making the Blues as much a part of American literature as it is a part of American music. It is poetry "created on the fly", as the blues singers did, making up lyrics on the spot. . . . A statement is made, then repeated to give the poet a moment to come up with a rhyming response. There you have the blues stanza.

The Blues Stanza is:stanzaic, written in any number of triplets.
accentual verse with 4 to 6 stresses a line, or whatever. The syllable count is 12 or close enough. You can see, there is lots of room to wiggle here. The meter changes to iambic pentameter when the stanza is used in the Blues Sonnet.
structured. L1 makes a statement, L2 repeats L1 with minor variation, often a beat or two short, and L3 responds, with a "climatic parallel" to the first 2 lines. (a culminating contrast or extension of the statement) In effect you are writing a rhyming coupletposing as a triplet.
rhymed, rhyme scheme aaa, bbb, ccc, ddd.
adapted by some poets like Hughes to break the lines roughly in half, making a six line stanza.
infused with a theme that comes from complaint or a lament, suffering, struggle, real life experiences. It meets life head on, no nonsense, often with sarcasm and with humor, a wisdom born from pain.
borrowed from blues singing, making up the "lyrics on the fly".

I'm goin' down to de railroad, baby,
----------------------------------Lay ma head on de track.
I'm goin' down to de railroad, babe,
----------------------------------Lay ma head on de track -
But if I see de train a-comin',
---------------------------- I'm gonna jerk it back.
------------------------ Langston Hughes in The Big Sea

Burn Out Blues by Judi Van Gorder

The sun on Sunday morning calls, come and play.
the morning's sun calls, come out and play,
but first, I have a Sunday duty to pay.

But that sun sure tempts me to skip and stray,
yes I sure am tempted to skip and stray,
why am I bound to fit church in my day?

Hard part is, I believe it's the right thing to do,
it's hard, but believe it's the right thing to do,
I've lived it, I've taught it and loved it too.

Still I don't want to sit through a ritual mass,
no, don't want to sit through a long boring mass,
would rather be sunning, bare toes in the grass>

I doddle and fiddle and arrive at mass late,
messing around, slip in the door late,
so I stand in the back and kneel on the slate.

The gospel is one that I don't want to hear,
the news is something I don't want to hear,
but I know the message is meant for my ear.

"Do you love me?" He asks, "then tend my flock",
He asks it twice more, "then tend my flock",
I've done that for years, Lord, we need to talk.

I'll ponder His words and write out my thought,
still pondering His word and writing my thought,
there's more in His message, more to the plot

So I've gone to church, and now have my day,
gone to church and He gave me my day,
but also a message I need to weigh.
As always, feel free to google the genre and get different examples and see which you like best.  Make sure to publish it on the group page, and I'll feature it.